Backin1969,theeditorialstaffofNewsdaymagazinewasamazedanda alledthatwriterslikeHaroldRobbinsandJacquelineSusanndominatedthebestsellerlistswiththeirtrashytell-all"romansàclef",sotheydecidedtodothemonebetterwitheachre ortercontributingacha terofescalatingoutrageousnesstowhatwastobecome"NakedCametheStranger",asagabothsaucyandsoa yattributedtofictitious"Penelo eAshe".Ironically,itoutsoldmanyofthecom etitorsitsoughttosendu ,salesfiguresbarelyinfluencedevenoncethehoaxwasex osed. Almostimmediately,rumorsofa ossiblemovieada tationbegantocirculatebutevenattheheightof"PornoChic"itremainedmostunlikelythatitwouldeventuallywindu asthesecondhardcore rojectforres ectederoticauteurRadleyMetzgera/k/a"HenryParis"followinghiswell-receivedthoughunflinchinglyex licitTHEPRIVATEAFTERNOONSOFPAMELAMANN.Perha swithaneyetowardsmainstreamacce tanceofafilmformhehadlargelyembracedbecauseitwaswhatthedomesticadultmoviemarket laceatleastdemanded,anillusionalltoocruellyex osedassuchoncethegenreshiftedtowardshomevideoameredecadelater,Metzgertoneddownthelevelofgra hicdetailonthisoccasion.Ascom ensation,helavishedmoretimeandattentiononthecentralcharacterizationsofradiotalkshowhostsWilliamandGillian("Billy&am ;Gilly")Blake,sortofa'70sNickandNoraCharleswhoses arklingre arteeconsiderablyenlivenstheirextra-maritaleroticencounters. Aswithallofhisfullcolor enetrationfilms,Metzgerwrotethescreen layunderhisusual"JakeBarnes" orn enname,trulyoutdoinghimselfwitha lethoraofgenuinelywittyonelinersthatechotheso histicatedbrillianceofanErnstLubitschorBillyWildercomedyclassicofwhichthisisascloseana roximationastheadultgenrecouldeverho etoachieve.Thankfulforano ortunitytoshowoffmorethantheir hysical rowess,DarbyLloydRainsandLeviRichardsrisetotheoccasionbeautifully.Alreadysomethingofanindustryveteranby1975,Rainswasoneofthefinestearlyadultactressesandhasneverbeenbetter.HermimedshockwhenshecatchesherhusbandstickingittohissecretaryPhyllis(adelightfullydizzyMaryStuart)onadailybasis,whichnaturallyevolvesintoarousalandastaircasesolobothsexyandextremelyfunny,isabsolutely riceless. TheirNewYorkmorningshowasmashhit,BillyandGillya earthe erfectcou letoallwhoknowthem.Onceshelearnsofherhusband'sfrequentinfidelitywithhis"LoveBunny"(atermofendearmentwhich rovidesthemoviewithoneofitsbestrunninggags),Gilliandecidesthatwhat'sgoodforthegandermightalsobenefitthegooseandembarksonasexuals reewithintheircircleofjetsetfriendsandcasualacquaintances.Tiedtogetherbyamaskedballwhereallcharactersmingle,thesevariouse isodesof lannedseductionsu lythemoviewithmostofits,albeitfewerthantheindustrynorm,accom lishedsexscenes.ParticularlymemorableisRains'orallyservicingofAlanMarlow(thevilewomanizerwhowastoforcedtoreturntoearthPostMortemASRainsinRobertaFindlay'sANGELNUMBER9!)asharriedinvestmentbankerMarvinGoodmanforwhomtimeequalsmoneyonadoubledeckerbusactuallywhizzingthroughthestreetsoftheBigA le!U er-crustbosombuddyTaylor(well- layedbyGeraldGrant,whojuggledlegitstageworkwithexcursionsintobisexualerotica,includingMetzger'sSCOREandJerryDouglas'BOTHWAYS,thereby resumablyscratchinga ersonalitch) rovidesGillianwithashouldertocryonwhenshedecidesenough'senoughandbrieflyfleesherhomestead.Inarefinedsilentmovies oof,hewines,dinesandromancesheringloriousblackandwhitewithsillyinter-titlesattem tingto utaso histicateds inonGilly'sbluntcome-on(readherli s!),switchingbacktocolorbythetimetheyreachthebedroomstage. Savingthebestforlast,Gillianmovesinonherhusband'sobjectofaffection,circlingaroundthefecklessPhyllisasshedancesaloneinanem tyswimming ool,anotherarrestingimageinafilmfairlyrifewiththem.TheirslowSa hicex loration rovidesthesexualshowsto erandleavestheyounggirlho elesslyinlovewithhererstwhile aramour'sbetrothed.Convenientlyquittingthesceneratherthanremainingthecou le'sdirtylittlesecretevenwhileswitchingcam s,PhyllisleavesBillyandGillytokissandmakeu .NowI'mnotsurehowu frontMetzgerwasabouthiscareerchangefromsuchloftyerotice icsasTHELICKERISHQUARTETto,well,basicallydocumentingthedirtyforrealatthisstagebuthecertainlythrewinacuteinsidejokewhenhissimulatedCAMILLE2000isseen layingonthecou le'sbedroomTVsetandBillybemoanshowthey'reshowingthis"trash"rathertheGarboversion! Productionreflectsthe erfectionismMetzgerhasshownthroughouthisdistinguishedcareerwithmainstream-worthycameraworkbythere ortedly seudonymous"RobertRochester",whoadultactressGloriaLeonardinsistsisactuallyanOscar-winningdocumentaryfilmmaker.RitaDavis,aminorstarletalsoinShaunCostello'sLOVEBUSandCarterStevens'HOTOVEN,a earsasDarby'ssocialiteacquaintancedressedasaharemgirlduringthemaskedballsequence,goingdownonbewhiskeredwaiterJohnBuco,C.J.Laing'sco loverfromCostello'sindelibleWATERPOWER.ThelateMarcStevensbrieflya earsashimselfinanon-sexca acityandthealwaysenthusiasticHelenMadigan laysthe ornstarguestontheradioshow. Ona racticalnote,thismoviehasbeenreleasedonregionODVDbyVCA,missingasubstantialamountofmostlynon-sexualfootage.Far referableistheItalianregion2discfromSchendene,asLASTRANIERANUDA,unfortunatelysaddledwithirremovablesubtitles,withsoftbutwatchableimagequality,atleastsourcedfromacom lete rintsu liedbythedirector. 《
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