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类型：泰剧
主演：James Prapatthorn Chakkhuchan Oat C
导演：Worawut Thanamatchaicharoen
语言：其它
年代：未知
简介： 阿肯（查克里特·布恩辛 Chakrit Boonsing 饰）是学校里公认的校草，不仅拥有非常英俊帅气的外表，成绩在校园里也是一马当先。阿奇（披提功·西瑞彭栓 Pittikorn Siripornsawan 饰）个性内向，只是一个普普通通的小宅男，一次偶然中，阿奇撞到了阿肯，两人就此相识。之后，他们又在缘分的驱使之下几番重逢。随着时间的推移，阿肯渐渐的被阿奇吸引了。 阿肯和阿奇亲密的照片被曝光在了校园网上，这让阿奇立刻就遭受到了阿肯的崇拜者们疯狂的网络暴力，无法承受的阿奇向阿肯提出了分手，不知所措的阿肯在情急之下，做出了伤害阿奇的事情。
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类型：泰剧
主演：帕蒂塔·阿塔亚塔玛维塔雅 Mariew pattharapong we
导演：未知
语言：其它
年代：未知
简介： “国王的游戏”让这群年轻人在酒桌上始终遵循着一个铁一般的规则，那就是获得“国王”牌的人，可以随意命令游戏玩家做任何事！
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类型：泰剧
主演：Pattaravadee Boonmeesup 娜露潘格慕·柴辛 查雅
导演：未知
语言：泰语
年代：未知
简介：Based on the haunting true stories told on a famous radio show, the new horror series “Terror Tuesday: Extreme” will bring eight stories to the screen directed by eight directors in eight episodes of extreme terror with an incredible cast that will give you a series of unexpected fear.
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类型：泰剧
主演：艾玛·迈尔斯 安娜·麦克西维尔·马丁 马修·贝恩顿 安娜贝尔·穆利恩
导演：多莉·韦尔斯
语言：英语
年代：未知
简介：This is based on the novels of Holly Jackson. Five years ago, schoolgirl Andie Bell was murdered by her boyfriend Sal Singh. Case closed. The police know he did it. Everyone in town knows he did it. But smart and single minded Pip Fitz-Amobi isn't so sure and she’s determined to prove it. And if Sal Singh isn’t a murderer and the real killer is still out there, how far will the...
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类型：泰剧
主演：Pimprapa Tangprabhaporn March Chuta
语言：泰国语
年代：未知
简介：抑郁症问题是当今社会很多人都会遇到的一种疾病。而我们常常从患者难以与其他人共同生活的角度来看待问题。作为一个必须与抑郁症患者一起生活的人，重要的是，当患者不想接受治疗时，因为他们想用这种疾病作为保证，让他们所爱的人做他们想做的一切。我们知道我们病了，我们知道我们需要去看医生来治愈我们的心理健康，但我们不这样做，因为我们把症状当作了人质。我们真的很讨厌他的前任和她的前任，这就是问题所在。他知道我们有病却还要忍受，凡事都照顾我们。但我们喜欢提起过去来伤害他，他越沉默，我们的症状就越严重。到了要求我们自杀的程度，他会很震惊，我们没有去治疗，因为我们觉得如果我们这样的话，他一定会和我们在一起，永远不会离开我们。因此，我们的行为总是给他带来痛苦。我们知道，但我们不明白自己为什么？抑郁症是可以治愈的。但如果有意保留它，那就成了大问题了。因为我只想照顾好自己。继续观看根据真实故事改编的爱情系列剧《俱乐部星期五》系列热门爱情问题，爱情故事，热恋问题，一个关于抑郁或专横爱情的剧集。
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类型：恐怖电影
主演：Marshall Thompson Shirley Patterson
语言：英语
年代：未知
简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
