备注:已完结
类型:剧情电影
主演:内详
导演:居伊·德波
语言:法语
年代:未知
简介: Voice1(male" rofessionalannouncer"ty e):Thisneighborhood(1)wasmadeforthewretcheddignityofthe ettybourgeoisie,forres ectableoccu ationsandintellectualtourism.Thesedentary o ulationoftheu erfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofha iness,wasex ressedinacts.These eo lealsoscorned"subjective rofundity".Theywereinterestedinnothingbutanadequateandconcreteex ressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygro inginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgrou sandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1:Theysaidthatoblivionwastheirruling assion.Theywantedtoreinventeverythingeachday;tobecomethemastersand ossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconce tionhehasofhimself,onecannotjudgesuch eriodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustex laintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocial roduction.The rogressachievedinthedominationofnaturewasnotyetmatchedbyacorres ondingliberationofeverydaylife.Youth assedawayamongthevariouscontrolsofresignation.Ourcamerahasca turedforyouafewas ectsofa rovisionalmicrosociety.Theknowledgeofem iricalfactsremainsabstractandsu erficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalone ermitsthesu ersessionof artialandabstract roblemssoastoarriveattheirconcreteessence,andim licitlyattheirmeaning.Thisgrou wasonthemarginsoftheeconomy.Ittendedtowardaroleof ureconsum tion,andfirstofallthefreeconsum tionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutde rivedofanymeanstointerveneinthem.Thegrou rangedoveraverysmallarea.Thesametimesbroughtthembacktothesame laces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2:"Ourlifeisajourney"”Inthewinterandthenight."”Weseekour assage..."�Voice1:Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2:Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthe otentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheim ortanceofaworldwithoutim ortance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincom letelytowarddiverseobjectsandcancom letelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbe ossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1:Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirre arable.Theextreme recariousnessofthemeansofgettingbywithoutworkingwasattherootofthisim atiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2:Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1:Whenfreedomis racticedinaclosedcircle,itfadesintoadream,becomesamerere resentationofitself.Theambianceof layisbynatureunstable.Atanymoment"ordinarylife"�can revailonceagain.Thegeogra hicallimitationof layisevenmorestrikingthanitstem orallimitation.Anygametakes lacewithinthecontoursofitss atialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywhere eo lemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenreca turedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebad roductsofabadsocietyarethemostuglyandre ugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheir roducts.Onecan,incontrast,envisagetheentirecom lexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyeta ear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2:Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmade ossible,andincreasinglynecessary,adirectconstructionofallas ectsofaliberatedaffectiveand racticalexistence.Thea earanceofthesesu eriormeansofaction,stillunusedbecauseofthedelaysinthe rojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsand owerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smono olyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromacultural roductionofficiallydevotedtoillustratingandre eatingthe ast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthe athslearnedonceandforall,totheirworkandtheirhome,totheir redictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheruseoftheurbanlandsca e,inquestofnew assions.Theatmos hereofafew lacesgaveusintimationsofthefuture owersofanarchitectureitwouldbenecessarytocreatetobethesu ortandframeworkforlessmediocregames.Wecouldex ectnothingofanythingwehadnotourselvesaltered.Theurbanenvironment roclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenews a ers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peo lecanseenothingaroundthemthatisnottheirownimage;everythings eakstothemofthemselves.Theirverylandsca eisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofallty es.Theymaintainedthecoherentreignof overty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinku withthemasses,butweweresurroundedbyslee .Voice3:Thedictatorshi ofthe roletariatisades eratestruggle,bloodyandbloodless,violentand eaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1:Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheir ower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthe ast.Voice2:Years,likeasingleinstant rolongedtothis oint,cometoanend.Voice1:Whatwasdirectlylivedrea earsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2:Thea earanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthe assageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthe astfromthe resentis reciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingke t?Voice3:Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Wearese arated.Theyears assandwehaven’tchangedanything.Voice2:Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarly assednights.Itisawalkthathaslastedalongtime.Voice1:Reallyhardtodrinkmore.Voice2:Ofcourseonemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"” oorandfalselikethisbotchedtravelingshot.Voice3:Therearenow eo lewho ridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecom ositionandexhaustionofindividualex ressioninourtime,ignorantoftheendoftheartsof assivity.Theyare raisedfortheirsinceritysincetheydramatize,withmore ersonalde th,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyex resstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyinthe ers ectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2:Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoex anditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenisthe roductofthisrealneed.Thestaristhe rojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethe oint?Bettertogras thetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthes ectacleandofmemories.1.Thisfilm,whichevokesthelettristex eriencesattheoriginofthesituationistmovement,o enswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s
备注:已完结
类型:剧情电影
导演:弗莱德·福吉
语言:法语
年代:未知
简介: 对于野生动植物而言,阿尔卑斯山的环境充满艰难险阻。这是一片极端之地,深受人类影响。一头被驱逐出群的雌狼,为了养育幼崽,必须找到一处安全之所。她这一路不仅困难重重,还会跟从熊类到金雕等诸多已经成功在阿尔卑斯山安家的动物狭路相逢。每一种动植物,都在展现它们如何能在这片充满考验的地方生存。同时,它们还揭示了团结的力量——这堪称动植物世界里最令人惊奇的生存策略之一。那些彼此帮扶的生命,才能成功存活。《庇护所:阿尔卑斯山求生记》作为一部震撼又壮美的纪录片,讲述着欧洲腹地深藏的那些鲜为人知的动植物生存故事
备注:已完结
类型:剧情电影
主演:Anémone RichardBohringer NicoleGarc
语言:法语
年代:未知
简介: 家庭音乐教师大卫与女主人朱丽娅有私情。很快,朱丽娅的丈夫就发现了。一日,他们分别收到了两人做爱的录像带,大卫还几乎被人打死。这时,有人提醒大卫:一个嫉妒的丈夫是很危险的,不要“过快的投入那个女人的怀抱”。当大卫和朱丽娅再次相会时,被朱丽娅的丈夫撞上了,两个人发生了冲突。在激烈的斗争中,朱丽娅的丈夫死了。大卫再次收到录像带,录像上大卫开枪后并没有杀死朱丽娅的丈夫,二十朱丽娅将他杀死。大卫从朱丽娅自录的录像带上得知真相。朱丽娅离开了他。 情殇玫瑰园电影网友评论:< class="com">前半段的情爱部分古朴唯美,Deville的古典老字号招牌与蒙太奇运镜珠联璧合,洗练纯熟。但是自后半段杀手出现后,影片就逐步伦俗为话剧式的互相猜忌中,在探寻影像与真实的同时,也悄无声息地将之前塑造丰满的各个角色逐一击垮。 < style="text-align:center;"> < class="com">看不明白,但影像风格十分优雅古典,配上勃拉姆斯的钢琴曲,风格很明朗轻快,而隐匿在故事情节之中的悬疑和紧张感却丝毫不减,混搭在一起,如同影片一开始的煎鸡蛋+黑巧克力的古怪口感。 < style="text-align:center;"> < class="com">浪荡中年主妇勾引青年帅小伙的老套剧情,在勃拉姆斯的钢琴曲下,散发出新的芳香。摄影古典诗意、剪辑新奇独特⋯这些都不重要,因为海报才看的! < style="text-align:center;"> < class="com">故事并不复杂,带点悬疑加情色,关键是法式的优雅太到位了,甚至里面的杀手都魅力十足,另外此片剪辑十分有个性,几乎没有一个多余的镜头 < style="text-align:center;"> < class="com">以为是部情色片,结果凶杀、悬疑、爱情(男女之爱、男男之爱)、情色兼有,配乐的钢琴曲很好听,摄影也特别,男女演员都养眼,四星。 < style="text-align:center;"> < class="com">看看风骚熟母看看清纯女儿,听听优美背景钢琴曲,如此而已,情节和剪辑实在无脑自恋,烂得令人发指。 < style="text-align:center;"> < class="com">总觉得有伍迪艾伦的情节感和节奏感,直到清晰的match oint被说出来。赛末点的灵感来源? < class="com">字幕太糟。结局太完美。但男女主演真的很靓,很美。朱莉,她的自信、轻盈和残忍无与伦比…… < class="com">剪辑很有趣,将这个时空最后一个画面作为另一个时空开始的点。故事太无趣,剧本很假。 < class="com">1245DD9AAAFC4C6D166731D12460E8AFA384229C < class="com">扑捉细节和剪辑上面做得很好,也喜欢他的叙事方式,可惜剧情有点散乱,总体还可以。 < class="com">喜欢那个年代胶片的质感,片中忍俊不禁的对白,比起影片内容更有印象。
备注:已完结
类型:剧情电影
主演:JulieGayet Jean-MichelFête SergeBlu
语言:法语
年代:未知
简介: 20岁的娜塔莉美丽、天真,在巴黎的一间小旅馆里卖淫谋生。她遇见皮埃尔——一个平凡家庭的父亲,她向他倾诉那晚惊奇、淫荡、暴力的世界。而一个无赖想从她身上捞点好处,女孩的弟弟试图保护她,无赖决定报仇…… 一世人两姐弟流落巴黎,二十出头已是一穷二白,青春本钱输得七七八八,四面夹攻是鄙视的白眼。山穷水尽的她和他,拾起枪杆子想著一铺定输赢,谁知枪口却送了自家一程。幽闭破落的旅馆,只是黄泉路上的转车站。毫无指望的糜烂生活,跟花都的繁华璀灿完全沾不上边。在封闭的绝情空间,互相折磨如行尸走肉─是无脚鸟飞到巴黎找到了知音?还是青春本来就是诅咒,非以生命超渡无法获得解脱? ◎影片评价: 法国1996年劳伦特·波尼克自编自导的剧情片,讲述关于妓女生活的故事。冰冷惨绿的影像,倾情狂放的演出,那份现代都会的抑郁和绝望,使人屏息静气心跳加速。 蹂躏与报复电影网友评论:< class="com">美的仅仅如此:草草地把花葬了吧,压块石头,免得它再受风霜。本片与报复无关,却将蹂躏刻得入木。我们是被遗弃者的旁观者,也是被旁观的遗弃者。希望很少的人来看这部片子,希望看完片的人能够珍惜那份触动。影片最后,音乐响起,出来一行字,我却继续沉默。0711 < style="text-align:center;"> < class="com">20岁的娜塔莉美丽、天真,在巴黎的一间小旅馆里卖淫谋生。她遇见皮埃尔——一个平凡家庭的父亲,她向他倾诉那晚惊奇、淫荡、暴力的世界。而一个无赖想从她身上捞点好处,女孩的弟弟试图保护她,无赖决定报仇..... < style="text-align:center;"> < class="com">很烂的一片子,镜头很混乱,剧情更混乱,就是一部混乱无语的片子,女主最后也死了,还被埋尸了,不知道到底想表达的是什么…… < style="text-align:center;"> < class="com">没意思的情色片,妓女落魄与痛苦?影像灰暗无光,乏味压抑剧情,最后女一被埋,很没劲法国片 < style="text-align:center;"> < class="com">95E47F4B25EABE793B2B88D5EA2F324B15482792 < style="text-align:center;"> < class="com">耶稣说:“我告诉你们:若是他们闭口不说,这些石头必要呼叫起来。” < style="text-align:center;"> < class="com">人有很多种活法,而死却是一样的。 < class="com">本来想当A片看的,后来发现还不错 < class="com">波德莱尔感兴趣的人群 < class="com">镜头换的太快 < class="com">女主角很美 < class="com">谁之过?
备注:已完结
类型:喜剧电影
主演:弗朗西斯·佩兰 罗歇·米尔蒙 让-雅克·莫罗 米歇尔·加拉布吕 雅克·
导演:让·吉罗
语言:法语,德语
年代:未知
简介: 一九四三年,德军侵占了法国,他们不仅肆意屠杀人民,还蓄意掠夺国宝。这天,两名德国军官来到了卢浮宫博物馆,准备将珍藏在这儿的爱神维纳斯运到德国去。三个爱国的小伙子亨利、雅克和弗朗西斯冒着生命危险,偷出了德军准备装箱运走的维纳斯。他们机智地与敌人周旋,经历了千辛万难,终于到达了爱德华叔叔家,不想房子里全是德国人。爱德华叔叔无奈的告诉他们,他的房子昨晚被德军征用了。他们只得把维纳斯暂时藏在爱德华叔叔的卧室里。谁知,一波未平一波又起,临睡前,德国将军强行霸占爱德华的卧室,三个小伙又冒险设计把维纳斯悄悄转移卧室。爱神维纳斯经过一番充满惊险的旅行,终于完好的回到了法国人民手中。三个小伙子的英雄主义精神得到了戴高乐将军的亲自嘉奖
备注:已完结
类型:动作电影
主演:让·迦本 阿兰·德龙 利诺·文图拉 伊琳娜·德米克 阿梅德奥·纳扎里
导演:亨利·韦纳伊
语言:意大利语,法语,英语
年代:未知
简介: 阿兰.德龙主演的这部犯罪动作片,摒弃了一般银行抢劫后分赃不均而终被逮捕的老套情节,把劫宝的场面安排在飞机上进行,结局则是因家族内一次无意揭发的奸情而致西西里部落全被逮捕。影片布局可谓层次分明,有峰回路转之妙。从开幕西西里家族营救囚车中的萨丹开始,便推展出不少戏剧性的高潮,如阿兰.德龙如何外出召妓惹祸;保险公司随员的太太如何发现丈夫不在飞机上而在报警时认出阿兰.德龙;探长如何监视阿兰.德龙的妹妹而使西西里兄弟被捕等,这些设计都能顺里成章而前后呼应
备注:已完结
类型:动漫
主演:Martial Le Minoux Karim Tougui Paul
导演:Baptiste Gaubert Jérémie Hoarau
语言:法语
年代:未知
简介: Welcometoaworldravagedbyex losionsofviolence,aworldwithoutlove.Jung,thebroken-heartedhero, ursueshisquest:reunitewithMaria,hislostlove,savagelydeca itatedbyLittleJesus.Hecancountonthesu ortofalliesmetalonghisbloody ath,encountersthat rovideanunderstandingofothers,butes eciallyofhimself.Healsohastodealwithhis“violentoutbreaks,”anincontrollablecursethats ringsfromhismurderoussoul