备注:已完结
类型:剧情电影
语言:汉语普通话
年代:未知
简介: 30年代初,日本帝国主义侵占了我国东北三省。一个寒冷的冬日,日本鬼子在汉奸地主高士家的带领下血洗了黄旗屯。为了报国恨家仇,猎户关云天揭竿而起,与同伴们一起成立了带子军,誓与日寇和汉奸抗争到底!高士家之子高玉臣对关云天的未婚妻二兰子垂涎已旧,关云天进山后,高玉臣趁机对二兰子百般纠缠。一天,二兰子有意将高玉臣引入深山,被关云天的伏兵抓作人质,向高家索要粮食、马匹和枪支。高士家为保儿子性命,只得答应了条件。自此,关云天被百姓誉为“关东大侠”,威震四方。某夜,关云天只身闯入吉顺栈探望料理父亲丧事的二兰子,不幸被高玉臣捉住,并遭到日本人的严刑拷打。危急中关云天拼死夺刀带着二兰子逃出了高家大院。途中关云天被追兵击中,马儿驮着他跑进了深山。二兰子踉跄着回到家中,却又撞上了高玉臣,看见他手中关云天那见弹痕累累的皮袄,二兰子绝望了。为了腹中关家的骨肉,受辱后的她违心地嫁给了高玉臣。其实,关云天并没有死,他被茫荡山的绿林好汉过江龙所救。伤愈后,关云天将带子军也拉上了茫荡山。元宵佳节,日本鬼子包围了茫荡山。突围中过江龙身负重伤,他把队伍全部交给了关云天,自己从此出家为道。关云天付出极大代价冲出重围,却又遭到土匪头子傅殿臣的阻截。在充满杀机的酒宴上,傅殿臣为关云天视死如归的民族气节所动,和关结下了生死之交,毅然举旗加入抗日行列,与关云天一起联合游击队和大刀会,准备攻打青石镇。听说高玉臣抓走了受伤的过江龙,关云天赶去搭救,一枪将高打落马下,而过江龙却惨遭杀害。为给过江龙报仇,关云天不顾劝阻和商定好的作战计划率本部人马孤军闯入集杨镇,被早有防范的高家重兵包围,带子军损失惨重,二兰子为救关云天也饮弹身亡。幸亏傅殿臣及时赶到,带子军才未全军覆没。关云天将过江龙、二兰子及死难弟兄一一掩埋,向天鸣枪以祭奠他们的英灵。面对茫茫雪原该去向何方,关云天眼中显出一片迷茫…
备注:已完结
类型:剧情电影
语言:汉语普通话
年代:未知
简介: 电影讲述了一个近年发生、完全真实、可以复制的草根学生创造传奇的奋斗故事。他们在初心与挑战的驱动下,一无所有踏上追逐梦想之旅,在学业拼搏、职场跌宕、商海沉浮的时空切换之间,历经爱情冰封、兄弟反目、险恶竞争、濒临绝境、前程幻灭等等巨大人生考验,虽然遍体鳞伤,却多次突破自我极限,并极其巧妙的整合了高等教育、投资人与企业家等等社会核心资源,仅仅一年时间,迅速百炼成钢,完成了从平凡到传奇的飞跃。在自己身价过亿的同时,还通过创新模式帮助数以万计的人实现了财富大增的梦想。这是一部70%以上的人都可能学会的热血成功宝典,不仅能让观众深深共鸣与感动,还能帮助所有心怀梦想,背景平凡的人,穿越星辰大海,开启人生传奇
备注:已完结
类型:剧情电影
主演:约翰·韦恩 杰弗里·亨特 维拉·迈尔斯 沃德·邦德 娜塔莉·伍德 约翰
导演:约翰·福特
语言:英语,纳瓦霍语,西班
年代:未知
简介: 曾参加过美国内战的退伍老兵埃森·爱德华兹(约翰·韦恩JohnWayne饰)战争结束后返回家乡德克萨斯州,来到哥哥的农场希望与亲人重聚团圆。埃森一直暗恋着自己的嫂子,只把这份感情放在心底。然而一场科曼奇族的突袭,让埃森的心愿彻底粉碎。在这次印地安人的袭击中,埃森的哥嫂双双被杀,侄女黛比(娜塔利·伍德NatalieWood饰)被掠,生死未卜。为了给自己心爱的嫂子复仇,也为了找到黛比的下落,埃森在哥哥养子马丁(杰弗里·亨特JeffreyHunter饰)的陪伴下,开始了艰难的搜寻岁月。埃森不惜耗时五年和花费千元赏金来寻找酋长斯卡的下落,然而埃森对印第安人彻骨的仇恨和几近疯狂的举动,让马丁开始怀疑叔叔搜索黛比的真正原因,马丁甚至担心,埃森会杀死已被印第安人同化的黛比
备注:已完结
类型:剧情电影
主演:内详
导演:居伊·德波
语言:法语
年代:未知
简介: Voice1(male" rofessionalannouncer"ty e):Thisneighborhood(1)wasmadeforthewretcheddignityofthe ettybourgeoisie,forres ectableoccu ationsandintellectualtourism.Thesedentary o ulationoftheu erfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofha iness,wasex ressedinacts.These eo lealsoscorned"subjective rofundity".Theywereinterestedinnothingbutanadequateandconcreteex ressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygro inginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgrou sandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1:Theysaidthatoblivionwastheirruling assion.Theywantedtoreinventeverythingeachday;tobecomethemastersand ossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconce tionhehasofhimself,onecannotjudgesuch eriodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustex laintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocial roduction.The rogressachievedinthedominationofnaturewasnotyetmatchedbyacorres ondingliberationofeverydaylife.Youth assedawayamongthevariouscontrolsofresignation.Ourcamerahasca turedforyouafewas ectsofa rovisionalmicrosociety.Theknowledgeofem iricalfactsremainsabstractandsu erficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalone ermitsthesu ersessionof artialandabstract roblemssoastoarriveattheirconcreteessence,andim licitlyattheirmeaning.Thisgrou wasonthemarginsoftheeconomy.Ittendedtowardaroleof ureconsum tion,andfirstofallthefreeconsum tionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutde rivedofanymeanstointerveneinthem.Thegrou rangedoveraverysmallarea.Thesametimesbroughtthembacktothesame laces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2:"Ourlifeisajourney"”Inthewinterandthenight."”Weseekour assage..."�Voice1:Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2:Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthe otentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheim ortanceofaworldwithoutim ortance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincom letelytowarddiverseobjectsandcancom letelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbe ossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1:Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirre arable.Theextreme recariousnessofthemeansofgettingbywithoutworkingwasattherootofthisim atiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2:Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1:Whenfreedomis racticedinaclosedcircle,itfadesintoadream,becomesamerere resentationofitself.Theambianceof layisbynatureunstable.Atanymoment"ordinarylife"�can revailonceagain.Thegeogra hicallimitationof layisevenmorestrikingthanitstem orallimitation.Anygametakes lacewithinthecontoursofitss atialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywhere eo lemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenreca turedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebad roductsofabadsocietyarethemostuglyandre ugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheir roducts.Onecan,incontrast,envisagetheentirecom lexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyeta ear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2:Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmade ossible,andincreasinglynecessary,adirectconstructionofallas ectsofaliberatedaffectiveand racticalexistence.Thea earanceofthesesu eriormeansofaction,stillunusedbecauseofthedelaysinthe rojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsand owerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smono olyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromacultural roductionofficiallydevotedtoillustratingandre eatingthe ast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthe athslearnedonceandforall,totheirworkandtheirhome,totheir redictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheruseoftheurbanlandsca e,inquestofnew assions.Theatmos hereofafew lacesgaveusintimationsofthefuture owersofanarchitectureitwouldbenecessarytocreatetobethesu ortandframeworkforlessmediocregames.Wecouldex ectnothingofanythingwehadnotourselvesaltered.Theurbanenvironment roclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenews a ers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peo lecanseenothingaroundthemthatisnottheirownimage;everythings eakstothemofthemselves.Theirverylandsca eisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofallty es.Theymaintainedthecoherentreignof overty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinku withthemasses,butweweresurroundedbyslee .Voice3:Thedictatorshi ofthe roletariatisades eratestruggle,bloodyandbloodless,violentand eaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1:Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheir ower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthe ast.Voice2:Years,likeasingleinstant rolongedtothis oint,cometoanend.Voice1:Whatwasdirectlylivedrea earsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2:Thea earanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthe assageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthe astfromthe resentis reciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingke t?Voice3:Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Wearese arated.Theyears assandwehaven’tchangedanything.Voice2:Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarly assednights.Itisawalkthathaslastedalongtime.Voice1:Reallyhardtodrinkmore.Voice2:Ofcourseonemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"” oorandfalselikethisbotchedtravelingshot.Voice3:Therearenow eo lewho ridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecom ositionandexhaustionofindividualex ressioninourtime,ignorantoftheendoftheartsof assivity.Theyare raisedfortheirsinceritysincetheydramatize,withmore ersonalde th,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyex resstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyinthe ers ectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2:Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoex anditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenisthe roductofthisrealneed.Thestaristhe rojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethe oint?Bettertogras thetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthes ectacleandofmemories.1.Thisfilm,whichevokesthelettristex eriencesattheoriginofthesituationistmovement,o enswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s
备注:已完结
类型:剧情电影
导演:童辉
语言:汉语普通话
年代:未知
简介: 《我和我的第二故乡》是由新华网指导,由七位有杰出作品的独立导演联合执导的一部扶贫题材电影。电影紧密围绕“我所经历的脱贫攻坚故事”主题,以企业真实扶贫事迹为原型,讲述了七个立志、立身、立行,且有代表性的打赢脱贫攻坚战的故事。 &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ;故事原型取源于真实的生活,这七个故事为《托付》《守桥》《小目标》《传承》《姐妹》《绽放》以及《云》,分别对映大时代背景下国家不同策略的扶贫模式:保险扶贫、绿色扶贫、农村电商扶贫、教育扶贫、就业扶贫、产业扶贫以及科技扶贫。这7个故事相对独立,但整体又有统一的主题联系,共同表达新时期精准扶贫观和价值观。 &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ; &nbs ;本片由姚明等参演,七位导演执导拍摄完成。它反映了中国几十年来扶贫干部们扎根贫困地区,为扶贫事业迈出的每一步而努力的故事,片中人物和事迹都是根据真实事件改编而成 ,它一反传统主旋律套路,主角们不再伟光正,而是有着跟我们所有普通人一样的爱恨情仇跟喜怒哀乐。
备注:已完结
类型:剧情电影
导演:弗莱德·福吉
语言:法语
年代:未知
简介: 对于野生动植物而言,阿尔卑斯山的环境充满艰难险阻。这是一片极端之地,深受人类影响。一头被驱逐出群的雌狼,为了养育幼崽,必须找到一处安全之所。她这一路不仅困难重重,还会跟从熊类到金雕等诸多已经成功在阿尔卑斯山安家的动物狭路相逢。每一种动植物,都在展现它们如何能在这片充满考验的地方生存。同时,它们还揭示了团结的力量——这堪称动植物世界里最令人惊奇的生存策略之一。那些彼此帮扶的生命,才能成功存活。《庇护所:阿尔卑斯山求生记》作为一部震撼又壮美的纪录片,讲述着欧洲腹地深藏的那些鲜为人知的动植物生存故事
备注:已完结
类型:剧情电影
主演:Kaya Akkaya Ege Ardic Devrim Atmaca
语言:土耳其语
年代:未知
简介: 母亲的去世让女孩丹兹(I ekDeger饰)陷入了巨大的悲痛之中,她希望童话里的彼得潘能够来到现实之中,将她带往没有悲伤和痛苦的梦幻岛。在好友艾玛(FiratYalçin饰)的帮助和鼓励之下,丹兹决定直面惨淡的现实,和好友一起努力去建立属于她们的梦幻岛,一晃眼多年过去了,丹兹和艾玛早已经长大成人,让丹兹没有想到的是,可怕的病魔让一直都非常坚强的艾玛陷入了昏迷之中,随时都有生命危险。绝望的丹兹再度想到了梦幻岛,于是她坚决的踏上了寻找魔法粉的旅程,在途中,丹兹邂逅了名为塞姆(穆罕默德·阿里·努罗谷MehmetAliNuroglu饰)的男孩,两人之间碰撞出了火花