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类型:纪录片
主演:Simon Sebag Montefiore
语言:英语
年代:未知
简介: Historianandauthor,SimonSebagMontefiore resentsafascinatingseriesonJerusalem:the lacewhereGodmeetsman,theshrineofthreefaiths–Judaism,ChristianityandIslam,andthemostfoughtovercityinhistory.Montefioreex lainshowJerusalem–establishedbyKingDavid3,000yearsagowasfoughtforandsha edbyKingsandEm erorsandhowtheholinessofthecitywasintensifiedbymythsandfables,borrowedandrefinedbetweenreligions.Hethenex loreshowthis eerlesslybeautifulcityrosefromacrumblingruinafterthecrusadestobecomeaworldcentreofIslamic ilgrimage,theobjectofrivalrybetweenChristiannations,aholyrefugeforJewsfromallovertheworldand,ultimately,thesiteofoneoftheworld’smostintractableconflicts
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类型:纪录片
主演:内详
导演:内详
语言:英语
年代:未知
简介: 继《中国新疆·反恐前沿》《幕后黑手——“东伊运”与新疆暴恐》《巍巍天山——中国新疆反恐记忆》之后,第四部涉疆反恐纪录片《暗流涌动——中国新疆反恐挑战》即将于近日推出。相比于前三部,本部纪录片将集中披露此前不为外界所知的反恐斗争案例,例如首次揭露新疆“两面人”个案事实,首次公布新疆少数民族语问题教材事件,以及首次介绍“东伊运”向中国境内传播暴恐音视频情况。中国现代国际关系研究院研究员、反恐问题专家李伟在接受《环球时报》采访时表示,中国新疆在打击“两面人”,挖出“毒教材”后,反恐与去极端化的工作才得以更加顺利展开,这是最大限度的保护民众的生命权。第四部纪录片片长约56分钟,同前三部一样采用英文配音、中英双语字幕形式,并与前三部纪录片前后呼应。值得注意的是,西方长期以来针对中国新疆反恐去极端化措施的污蔑充斥着“反恐过度”“侵犯人权”“同化少数民族”等论述,而纪录片中“两面人”案例及“新疆少数民族问题教材”事件此前很少被媒体触及,此次公开披露在更深层次上彰显了反恐去极端化工作的正当性和必要性,对西方反华势力的上述污蔑无疑是一个有力的回击
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类型:纪录片
导演:未知
语言:国语
年代:未知
简介: 该纪录片是国内首部“反美食”的美食纪录片 人类的文明史,其实就是食物的进化史,在漫长岁月中,赖以生存的“食物”逐渐变成了“美食”,各种烹饪手段也让食材变得美味多滋。但世界之大无奇不有,在美食的地图中,总有不同地区不同风味的传统被沿袭保存至今,而这些经过历史洗礼的“美食”,糅合了传统、地理、人文等因素,成为了当地 人的热衷之物、游子心中“家”的味道,也成为了一座城市的独特记忆。 不过这些传统美食在外乡人眼中,似乎有着另一种符号化的概念:奇葩、可怕、难闻……主创团队以此为灵感,搜寻遍布在中国大江南北的“奇葩”美食,体验当地风土人情,探寻美食与地域、人文之间的关系。
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类型:纪录片
语言:英语
年代:未知
简介: 吴哥窟(高棉文)位于柬埔寨西北部,在暹粒市北5.5公里。原始的名字是VrahVishnulok,意思为“毗湿奴的神殿”。中国元代古籍《岛夷志略》称之为“桑香佛舍”。它是吴哥古迹中,保存得最完好的的庙宇,以建筑宏伟与浮雕细致闻名于世,是世界上最大的庙宇,也是一座巨大的水上都市。十二世纪的吴哥王朝国王苏利耶跋摩二世希望在平地兴建一座规模宏伟的石窟庙山,作为吴哥王朝的太庙。因此举全国之力,花了大约30年建造。吴哥窟建成于12世纪前半。吴哥窟绝非供大群信徒朝拜的西式的教堂或东方寺院,而是一座宏伟的太庙,供奉化身为印度教之神的国王。吴哥窟结合了高棉历代庙宇建筑的两个基本的元素:立体庙山的多层方坛和平地庙宇的回廊。吴哥窟的庙山由三层长方形有回廊环绕的平台组成,层层高迭,形如金字塔,象征印度神话中位于世界中心的须弥山。庙山顶部矗立著按五点梅花式排列的五座宝塔,象征须弥山的五座山峰。三道回廊象征须弥山所在地的土、水、风;庙山周边环绕一道护城河,象征环绕须弥山的咸海。多年从事吴哥窟维修工作的法国远东学院古迹维修专家莫里斯·格莱斯认为“吴哥窟是吴哥古迹中以造型之雄伟、布局之平衡、比例之协调、线条之优美,威风赫赫,可比美世界上任何最杰出的建筑成就,而毫不逊色。”。1992年,联合国教科文组织将吴哥古迹列入世界文化遗产,世界各地来吴哥窟观光的游客一持续增加,从1993年不到一万人次,迄至2007年已达二百万人次,吴哥窟已成为旅游胜地。一百多年来,世界各国投入大量资金在吴哥窟的维护工程上,以保护这份世界文化遗产。吴哥窟的造型,从1863年开始就已经成为柬埔寨国家的标志,展现在柬埔寨国旗上。本纪录片将跟随一支考古学专家队伍进入柬埔寨;在那里他们将运用最新的激光扫描技术来发掘环绕着吴哥窟和中古世界最伟大的大都市周围的秘密
备注:已完结
类型:纪录片
语言:英语
年代:未知
简介: In the UK over £9 billion a year are s ent on beauty roducts that romise to im rove and transform us. But how much of what these roducts romise is based in scientific evidence, and how much is sim ly marketing mani ulation?&nbs Cherry Healey teams u with inde endent scientists to ut everyday cosmetics to the test like never before. In a groundbreaking study carried out by the University of Sheffield, and with the hel of 25 volunteers, she discovers that moisturisers might not have the benefits eo le think they do.
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类型:纪录片
主演:马休·柯林斯
导演:兰德尔·赖特
语言:英语
年代:未知
简介: The new series on Renaissance ainting, written and resented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, ainted in 1505 by Ra hael Renaissance art has become art of the 21st-century heritage industry but when Ra hael was alive, it was a startling new form of visual ex ression, and Ra hael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 years, right u until the birth of Modernism. As much as it was a cultural 'rebirth', the Renaissance was also a revolution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance aintings were when they were made, as well as o ening our eyes to what is still truly great about them. In this rogramme he deconstructs The Madonna of the Meadow with the hel of the very latest high-resolution digital technology, which allows him to ex lore the inner secrets of Ra hael's ainterly effects with a clarity and at a level of detail never before seen on television. As Matthew says, it is a journey 'to the other side of an illusion', revealing how Ra hael created the alluring images that were so a ealing to his wealthy Renaissance clients - including the Po e - and which entranced artists for centuries after his death. Matthew ex lains the secret to Ra hael's vibrant colour harmonies, which the artist gras ed intuitively, long before the advent of colour 'theory'; and Ra hael also knew how to ex loit colour effects to create the im ression of extraordinary de th in his aintings.