备注：已完结
类型：动漫
主演：迈克尔·切克利斯 萨莎·亚历山大 卡斯图罗·格雷拉 克里斯·贾伊·阿历
导演：SungJinAhn
语言：英语
年代：未知
简介： DC著名反英雄雇佣兵“丧钟”的个人动画剧《丧钟：骑士与龙》发布预告，毕竟是钟叔，画风蛮血腥残暴，爆头一时爽，“我是个雇佣兵，不是蠢货”。&ems ;&ems ;这次，丧钟将对上HIVE。迈克尔·切克利斯(《盾牌》《美国恐怖故事》《哥谭》)配音SladeWilson。共12集，2020年第一季度登陆CWSeed。 < class="comment">《丧钟：骑士与龙大电影电影网友评论》 < class="com">终于！丧老师在DC动画宇宙打了无数酱油/被Damian揍到自闭之后，终于扬眉吐气拥有了一部忠实于自己的原始创作者MarvWolfman构想的动画。一位犯了不少错误却仍保有荣誉感的佣兵，familydrama，90年代少年泰坦和丧钟个人刊里的精彩要素一应俱全，我看e 1简直眼泪要流下来（是高兴的 < class="com">近年来的DC似乎热衷于开发旗下的超级反派们为主角的个人作品，前有小丑起源真人电影，后有高能吐槽黑色幽默之《哈莉奎因》动画剧集，现在又终于轮到DC旗下人气最高的超级反派之一，丧钟，钟叔的个人动画剧集，首集观感比较靠谱，大尺度反英雄黑暗风，期待后续剧情发展。 < class="com">故事是个好故事，情节安排也妥帖……但是丧钟：骑士与龙大电影需要一定的粉丝基础才能看懂啊……能不能不要老是做粉丝产品……不过，死侍和丧钟相似度还是很高的……只是丧钟更英雄主义一些，死侍更亲民一些……希望差别还是更大一些吧…… < class="com">画面透漏着贫穷，剧情不错，从电视剧到动画，丧钟一家子总是那么有故事可说，另外导演是有多喜欢钟叔的肉体???? < class="com">没明白这故事想说点啥？蜂巢也太弱了点吧？丧钟你还好意思说别人是恐怖分子？？？个人评价：B < class="com">只有铜虎这种满脑子英雄主义的人才会杀雇主,丧钟不会,丧钟Professional. < class="com">已经开播了啊，这豆瓣也太菜了吧超赞，打斗吹爆，人设吹爆吹爆 < class="com">泛善可陈如出一辙补课台词太多构不成连贯感 < class="com">当他踩碎玻璃的那一刻，一切注定支离破碎。 < class="com">超厨丧钟，没有观影门槛，制作超级棒 < class="com">第一集出了，十分可以，钟叔帅爆。 < class="com">这里丧钟怎么还成反英雄了。。。。
备注：已完结
类型：剧情电影
语言：韩语
年代：未知
简介：Unemployed Jae-wook is dumped by his girlfriend without notice. He was a burden for Sae-mi who was at the age of having to think about marriage and her future and he wasn't disqualified for it. Jae-wook is shocked and wanders around still jobless in the house of Joon-ho who is currently dating Hye-jeong who is 4 years older. Jae-wook meets Eun-ji at a indie band performance and...
备注：已完结
类型：恐怖电影
主演：Angelo Kern Joanne Zimbler Alexandr
导演：Blake Douglas Ethan Gomez Zahnley Lenny Ibarra Gory Cory McCullough Jack McDermott Ryan Ranc
语言：英语
年代：未知
简介：After his four siblings mysteriously die in their first weeks of college, a paranoid freshman must put his fears aside when a masked killer picks him as her next victim.
备注：已完结
类型：恐怖电影
主演：Marshall Thompson Shirley Patterson
语言：英语
年代：未知
简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
备注：已完结
类型：剧情电影
主演：Raha Khodayari Mahan Nasiri 利萨·贝赫布迪
语言：其它
年代：未知
简介： 莱拉日以继夜地在一间老旧的工厂工作，只为糊口并养活12岁的儿子阿米尔与刚出生的宝宝。此时一个足以拯救她贫困生活的提议出现，工厂的巴士司机卡赞打算娶她，但麻烦的是，卡赞也有一个跟阿米尔差不多大的女儿，在传统礼节下，改嫁的莱拉是不能带与男方女儿年龄相近的大儿子进门的。社会大众无情的眼睛，以及公司同僚心怀不轨的看好戏，莱拉如果要摆脱她的悲惨命运，只有一个办法。迫于无奈，她只好将阿米尔送去聋哑寄宿学校，她要儿子装聋作哑等她三个月，三个月确认完婚后就会接他回来。实际到了那边的阿米尔，才发现身边同学都是一些被妈妈永远抛弃的小孩，所以他决定逃回家，然而屡次回去他都会因看到妈妈的辛苦而不舍再回来。阿米尔必须做出他小小年纪的第一个重大决定......
备注：已完结
类型：喜剧电影
主演：黄阿丽
导演：Nahnatchka Khan
语言：英语
年代：未知
简介：性欲满足、婚姻关系与婚外伴侣，外加金钱、权力和尊重，在这部生猛辛辣的喜剧特辑中，黄阿丽替女性仗义执言，说出她们关于欲望的心声。
备注：已完结
类型：美剧
主演：约翰·拜纳 马蒂·费拉罗 桑德拉·埃利斯·拉弗蒂 贾德·罗德曼 霍兰·
导演：AaronMahnke
语言：英语
年代：未知
简介： 主演：约翰·拜纳/马蒂·费拉罗/桑德拉·埃利斯·拉弗蒂/贾德·罗德曼/霍兰·罗登/CarolineAra oglou/MarkAshworth/J.T.Corbitt/CoreyCreque/HaleyFinnegan/JakeKearney/JoeKnezevich/MichaelPatrickLane/NadineLewington/CassadyMcClincy/ClarkMoore/RubyNasworthy/CathalPendred/RichieSte hens/DietrichTeschne导演：AaronMahnke语言：英语地区:美国编剧：AaronMahnke类型：恐怖上映时间： 别名：口头传说/走进传说用户标签：美剧,恐怖,超自然,美国,2017,灵异,吸血鬼,+亚马逊影业Amazon片长：imdb编号：tt6130902 《Lore》改编自2015年获奖同名热门Podcast节目，由AaronMahnke编剧，透过检视真时历史事件探索人类的黑暗本质。打着「有时真相比虚构的故事更可怕」的口号，节目中所有故事源於真实调查丶目击者报告和历史档案。从吸血鬼传说丶活尸的起源丶狼人到美国史上第一个连环杀手H.H.Holmes皆为《Lore》触及的题材。 传说第一季电影网友评论：< class="com">其实就是都市传说的起源探究，真人演绎，当恐怖片看么不合格，当纪录片看么表演成分又太多，两头不着，看评论说旁白不搭，我感觉听着听着也就习惯了，整体叙事比较鸡肋，唯一让我不寒而栗的是第三集的爱尔兰烧妻案，那个丈夫角色的表演吓到我了，迷信＋偏执＋暴烈，足以让人变成恶魔还不自知，可怕！ < style="text-align:center;"> < class="com">看很多人说无聊，不够恐怖，但是我觉得这种基于真实事件的东西，当你去回想的时候才会更吓人。什么是信仰？你相信什么？做了什么？你现在的做的事情会不会被后人看也是荒唐不可理喻的？或者你坚信正确的事情其实就是愚昧有害的，并伤及他人？人心，现实，总比鬼故事来的更可怕。 < style="text-align:center;"> < class="com">好几个故事在twilightzone里看到过或者有影子；对于蠢人类的无知狭隘、疑神疑鬼和自我中心嘲讽得很深入，走近科学不能比的额。可惜还是有点儿东一榔头西一棒，好几集都是相似题材的段子堆着讲，穿插得不够圆融。第四集里有robert atrick啊，值了值了 < style="text-align:center;"> < class="com">很喜欢这种“基于真实事件和人物”的urbanlegend来源解说型短片。尤其是换生灵那一集，对比两件真实事件的价值判断是作为女性观众也认同的。btw：amazon是要和Netflix开打了的阵仗呢。 < style="text-align:center;"> < class="com">一些刻画恐怖片的来源就是这些传说故事了，而这些传说故事来源于人们对未知事物因不能科学合理解释而产生的臆想。当那些事现在用科学解释了后，就没那么匪夷所思骇人听闻了。传说来源于无知的猜测和想象。 < style="text-align:center;"> < class="com">这种“纪录片”还行吧…就是第一集看睡着了…原来吸血鬼是这么起源的？被网友科普可德古拉的起源，吸血鬼的始祖更多人认为是该隐或者莉莉丝，说到这我大s n加十分！更尊重“史实”！第二集更无趣…已弃 < style="text-align:center;"> < class="com">其实几个议题我都还蛮喜欢，但全部看下来真的不大明白是想做成 odcast式纪录片还是纯粹翻拍爽爽……第三集真实恐怖，最狠不过偏执的人（和misogyny < class="com">不是电视剧吗，咋感觉是个纪录片，早知道是纪录片就不看了，非常不恐怖，不是我喜欢的演绎形式，如果单纯为了猎奇会选择看书，不会花四十分钟看剧的 < class="com">先看第二季再追第一季，第二季注重个人传说，第一季注重某类传说。第一季有种黑暗童话感觉，第二季讲述更完整，不依赖对白 < class="com">3.5吧。所有的恐怖都归结到人性，真正无法解释的似乎只有最后一集。选材有点散，但角度还算特别。期待第二季。 < class="com">自然的情景重现演技、丰富的影像资料和做旧处理反而让这种不着调的科普剧有种文艺质感 < class="com">1.吸血鬼2.精神病人3.爱尔兰妖精4.灵媒的降神会5.狼人6.人偶娃娃
