备注：已完结
类型：恐怖电影
主演：杰西卡·朗德斯 迈克尔·鲍文 罗伯特·帕特里克 詹妮特·戈德斯坦恩 A
导演：AdamGierasch
语言：英语
年代：未知
简介： 一个女孩试图在一间诡怪而危险的医院中找到她那受伤的男朋友，结果遇到了各种意想不到的事情。关于暗黑恐怖盛宴系列(AfterDarkHorrorfest8FilmstoDieFor)“暗黑恐怖盛宴系列”是由美国AfterDark电影公司所举办的每年一度的恐怖电影狂欢大集会。在每年的11月，都会有8部左右的恐怖电影在全美几百家影院同时上映。除了很多大牌的恐怖片导演参与外，也会有很多独立的新锐导演加入到“暗黑恐怖盛宴系列”队列中来。2006年举办了第一届。尸体解剖电影网友评论：< class="com">也就把内脏掏粗挂起有点创意，其他的就呵呵了。灭火器爆头那段真的没有抄袭《不可撤销》？处理尸体那段也是借鉴的《人皮客栈》好嘛，这医院根本就是国外的莆田系啊。如果能拍的再肮脏变态一些就更好了，比如直接拍成伪纪录片的形式。再就是看这种片永远会被主角们拙计的智商逗乐 < style="text-align:center;"> < class="com">唯一的一星是送给那个碉堡的镜头，其余的都特么无力吐槽，这是我看过所有电影里演员演的最傻逼的一部。那个动作我真心不知道怎么说了，有些地方我看笑起来了，有些医学常识好么，那么扯。。。不是为了那个碉堡的器官全部挂起来的镜头我根本不会看~哼~ < style="text-align:center;"> < class="com">在我心中这部电影一直是恐怖片TOP1，剧情完整且缜密，画面血腥暴力刺激，09年看过一次，剧情一直烙印在脑海里，中间想再看一遍，苦于网络资源太难找，今天无意在迅雷里发现资源又重温了一遍，还是记忆犹新，刺激依旧。 < style="text-align:center;"> < class="com">二星老护士一出场就感觉是看过的，果不其然。就是个搞人体器官救老妇人的医院。整体节奏偏慢，几场血腥场景还行。最受不了的字幕，所有的字幕都时间都不对，没校准就发上来。哎 < style="text-align:center;"> < class="com">亮点：女主最终在一间ICU找到了男友，内脏已被逐一取出，用纱布托着，钢丝吊着，像挂蚊帐一样挂了一圈，关键是他自己迷迷糊糊看不清也不恐惧，还能说话，真够噱头。。。 < style="text-align:center;"> < class="com">作为一部纯无脑血腥片，让我吐槽的除了剧情居然还有特效，这是无论如何也接受不了的！要知道，血腥片要的就是高超特效，可你丫一堆猪牛羊下水一摆，我也真是醉了！ < style="text-align:center;"> < class="com">今天走之前和轮哥在乐浮的地下室看的，当时地下室只有我们两个人……╯▂╰不过不怎么吓人，剧情也不够饱满。于是看完之后我又开心地跟自己玩儿起了桌球。 < class="com">那些少女失踪案，什么贩卖器官，变态杀人狂，还有夜店遭强暴的，妓女碎尸等等，人们就不能不作死吗？这些不良少年一天就是个得瑟，不作死就不会死！ < class="com">我都忘了是怎么被推荐了这么一部烂恐怖电影，穿帮的地方太多了，基本没有剧情，也就最后器官外挂的地方比较惊艳。脊椎穿刺的时候也很难受，嗯。 < class="com">全篇能让人记住的就是那个各种内脏被悬浮的场景，很有国外恐怖模型的feel~剧情嘛，也就那样，女猪脚一路过关斩将勇闯恐怖医院的动作冒险剧 < class="com">这部电影，应该是看过最血腥的了，钻脑袋那情节现在还记忆犹新。如今玩《逃生》总能想起这部电影。如今不行啦，看不得这种电影了。 < class="com">小时候看被器官外循环吓得只要一到黑房间就怕开灯看到那一幕。。。重温童年阴影后发现除了这一处其他全是脑残血浆变态情节。。
备注：已完结
类型：恐怖电影
导演：丹尼斯·唐纳利
语言：英语
年代：未知
简介： Alunaticrunsaroundana artmentcom lex,a arentlyhomeonlytoattractiveflightattendantswithatendencytowardsexhibitionism.Whilethere,thelunatictriestokillallthetenantswiththecontentsofatoolbox.Based( robablyquiteloosely)onatruestory
备注：已完结
类型：恐怖电影
主演：Marshall Thompson Shirley Patterson
语言：英语
年代：未知
简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
