备注：已完结
类型：剧情电影
主演：MagnusSolhaug SunainaJassal
导演：阿涅·林德特勒·奈斯
语言：挪威语
年代：未知
简介： 主演：MagnusSolhaug/SunainaJassa导演：阿涅·林德特勒·奈斯语言：挪威语地区:挪威编剧：类型：剧情/家庭上映时间：2005-02-18(挪威) 别名：冒险英雄用户标签：挪威电影,挪威,欧洲,2005,狗狗,导视频道,哪里能下载这部影片,doxtv片长：89分钟imdb编号：tt0452890 因为母亲得到机会去经营一个农场，一直生活在城市里的12岁的男孩派特不得不和父母一起搬到乡下居住，虽然他不想当“农民”，但别无选择，临行前，他答应和好友通过手机短信保持联系。在村子入口，一只公牛拦住了去路，一个黑发女孩帮一家人解了围。一日，派特跑到只有手机信号覆盖的山顶上给好友发图片短信，返回的途中看到一个男人在虐待他的狗里欧，里欧奋力逃走，男人愤愤离去，派特把里欧带回家。妈妈不相信狗主人虐待自己的宠物，坚持把里欧交给警察，派特只好偷偷把里欧藏起来。但是事情并不简单，里欧的主人罗杰报了警四处寻找里欧。派特把里欧安顿在树林中，但里欧晚上跑回农场，午夜十分有人把家里的汽车偷走，里欧发现了情况，但小偷已经把车开走。妈妈报了警，但派特只能带着里欧躲避警察的视线，罗杰发现了派特并把里欧带走，村口的女孩妮拉帮了派特的忙，她骑着公牛再次救走里欧，他们还发现罗杰和他的同党偷走了汽车，派特用手机拍下了照片，并在山顶发到了爸爸的手机上。真相大白后，妮拉和弟弟不再需要搬家，他们和派特成了好朋友
备注：已完结
类型：剧情电影
主演：雷夫·安德烈 JimRamelKjellgren TorstenWah
导演：MartinForsström DanielMöllberg
语言：瑞典语
年代：未知
简介： 主演：雷夫·安德烈/JimRamelKjellgren/TorstenWahlund/LakkeMagnusso导演：MartinForsström/DanielMöllberg语言：瑞典语地区:瑞典编剧：类型：悬疑/冒险上映时间：2004-09-17 别名：用户标签：片长：98分钟imdb编号：tt0388192
备注：已完结
类型：剧情电影
主演：OksanaBulgakova DietmarDath HansMag
导演：亚历山大·克鲁格
语言：德语
年代：未知
简介： 主演：OksanaBulgakova/DietmarDath/HansMagnusEnzensberger/DursGrünbein/HanneloreHoger/So hieAlexandraKluge/OskarNegt/苏菲·罗艺斯/赫尔基·施楚奈德/彼得·斯洛特戴克/AndreasTobia导演：亚历山大·克鲁格语言：德语地区:德国编剧：亚历山大·克鲁格类型：纪录片上映时间：2008 别名：NewsfromIdeologicalAntiquity用户标签：纪录片,德国,Alexander_Kluge,德国电影,AlexanderKluge,Documentary,2008,紀錄片片长：570min（完整）/83min（剧场）imdb编号：tt1423964 Whatisarevolutionary?ThewritingsofMarxandEngelsbothusethemeta horofrevolutionasthe"locomotiveofhistory".Is,then,therevolutionaryastandardbearerof rogress,a acesetter,afrontrunner? Noneoftheabove,becauseinaworldruledbyaturbo"devaluation"whereonlythenewhasmarketvalue,wherecommodity roductions iralsoutofcontrol,the"trainoftime"isadeadlytrend.AlexanderKlugeinsteado tsforWalterBenjamin'sideaoftherevolutionasmankind" ullingtheemergencybrake".Wemustholdu thetorchofreasontothe roblemsathand,andthetruerevolutionaryisthereforetheonewhocanunitefutureand ast,mergingtwotimes,twosocieties,theartistwhomontagesstoriesandhistory.AndsowecometoAlexanderKlugeandhisart. Kluge'smonumental"NewsfromIdeologicalAntiquity.Marx–Eisenstein–DasKa ital"isa570-minutefilmavailableonlyonDVDwhichisbasedontheworkoftwoothermontageartists,JamesJoyceandSergeiEisenstein.Thesetwometin1929todiscussfilmingMarx's"Ka ital"whichhadbeenwritten60yearsbeforehand.Now,eightyyearson,AlexanderKlugejoinsthe artyandtakesu whereEisensteinfailed,becauseneitherHollywood'sca italistsnorMoscow'sCommunistswere re aredtosendthenecessaryfundshisway. MostofthefilmconsistsofinvolveddiscussionsbetweenAlexanderKlugeandotherMarx-savvywritersandartists.PoetandessayistHansMagnusEnzensbergercom aresthesoulofmanwiththesoulofmoney,authorDietmarDathex lainsthemeaningofthehammerandsickleontheSovietflagand,fromthestand ointoftheStoics,lea s(ratherthanmarchesatanorderly ace)intoindustrialisation,theactressSo hieRoismakesanim assioneda ealforMedea,differentiatingbetweenadditiveandsubtractivelove,filmmakerWernerSchroeterstagesaWagnero erafeaturingthe"rebirthofTristaninthes iritofbattleshi Potemkin", hiloso herPeterSloterdijktalksaboutOvidandthemetamor hosisofaddedvalue,amanatthe ianoanalysesthescoreofastrikesongwhileworkersandfactoryownersfaceoffinano erabyLuigiNono,the oetDürsGrünbeininter retsBertBrecht'saesthetisationoftheCommunistmanifestoinswingingoceanichexameter,culturalscientistRainerStollmannem hasisesthemyriadmeaningsofMarx'swritingsasscience,art,storytelling, hiloso hy, oetry.Andsocialtheoristand hiloso herOskarNegtlookssce ticalwhenaskedwhetherit's ossibletofindtherightimagesforallthisstuffwhenyou'relessinterestedin edagogicalcontentthantheencom assingtheory. Scholarlystuff,wideanddee insco e,yetboldand layful.ButevenifyourownstudyofMarxisnomorethanafadedmemory,itishugelyenjoyabletowatchandlistentotheseex ertsastheir"thinkinggraduallydee ensthroughtalking"andtowatchKlugeinterject,ho ingadroitlyfromonethoughttothenext,sur risinghisinterlocutors,catchingthemoffbalance,sendingthemoffonnewtrajectories.WeneverknowhowmuchagreementandvarianceishiddeninKluge'sobjections.HisaSocratica roachtoquestioning,curious,o entoeverything,andsowonderfullysubtlethatattheendalwaysfindyourselfwonderingwhetherhehadbeendrivingata articulartargetallalong.AlexanderKlugeisagreatmani ulator,anindustriousloom,whoweavesthemostfar-flungobservationsintohissystem. Heisnotfilming"DasKa ital"butresearchinghowonemightfindimagestomakeMarx'sbookfilmable.Thequestisthewayisthedestination.ThemodelforhisunderlyingstructureisJoyce's"Ulysses"wheretheentirehistoryoftheworldis ackedintoadayinthelifeofhishero,Bloom.InKluge'shandsthisbecomesacollageofdocumentary,essayisticandfictionalscenes,interviewsandstill hotos,archiveimagesofsmokingfactorychimneys,time-la sefootageof oundingmachinesandmountainsof roducts,diaryentriesandblackboardsscribbledwithquotesreferencingconstructivismandconcrete oetry. Coincidences,collisions.BacktobackwithashortfilminwhichdirectorTomTykwerstirsthingsu inaBerlinstreet,tworeadersstruggletorecitethefollowingsentence,sli inginandoutofsynchwithincreasingdes eration:"Wheneverreal,cor orealman,manwithhisfeetfirmlyonthesolidground,manexhalingandinhalingalltheforcesofnature, ositshisreal,objectiveessential owersasalienobjectsbyhisexternalisation,itisnottheactof ositingwhichisthesubjectinthis rocess:itisthesubjectivityofobjectiveessential owers,whoseaction,therefore,mustalsobesomethingobjective." Nosoonerareweshown"howthehistoryofindustryandtheestablishedobjectiveexistenceofindustryaretheo enbookofman'sessential owers,the erce tiblyexistinghuman sychology"thanwehavethehistoryofca italismisex lainedtousasagiantextensionofthefairytaleaboutthedevilwiththethreegoldenhairs–everythingisahumanbeingbeingcastunderas ell.AndthebeginningofMaeWest'sfilmcareerruns aralleltothelea intoindustrialisation–aformofaestheticsla stickinwhichnotcream iesflythroughtheairbutideasandconce ts. UnlikeEisenstein,whowasdriventodes erationbytheherculeantaskofcuttingthe29hoursof"October"intoa90-minutefilmversionandturnedtodrugsintothe rocesswhichlefthimtem orarilyblind,Klugecoolystickstohisgunsandhisninehours.Andit'snotaminutetoolong. (Thisarticlewasoriginally ublishedinTagess iegelon8January2009.HelmutMerkerisafilmcritic.) < class="comment">《资本论电影网友评论》 < class="com">83min版本,影像化理論展示,戈達爾式的影像風格,以文字和影像的衝突,畫外音與對白及獨白的衝突,大眾音樂與古典音樂的衝突還原愛森斯坦的野心,字體的情緒表現,用被消費的文化偶像去閱讀解剖消費的馬克思原文,也許因為看的並不是完整版,覺得在某些方面並非深入,但總的來說十分精彩. < class="com">西装革履，钢琴歌剧，进行曲中聊罢工，演说集下谈阶级，金钱人格化，价值虚幻化，法学博士的艺术家，古典的后现代，"煤油"灯下，扯着资本论。。。呵呵呵呵哈(小资们读／看资本论，会精神分裂的么？) < class="com">借不同阶层的嘴读出资本论，极具讽刺意义。世界失序已久。Duetohumanweakness.427Séance résentée arAlexanderKluge聒噪 < class="com">估计是学识不够吧，看到第二部就没再看下去了。明白其手法了，但是并没有特别的感觉。不同字体和音乐以及它们具有的生命节奏去表情和表意还是挺不错的。 < class="com">3月马上在北京和杭州组织多场放映。之前只溜达过德文版。现在手里有中英文两个文字版，本周即可见成品。无论如何，是不可以错过的力作 < class="com">收获就是新鲜感题材▲干嘛非要懂干嘛不装懂还是不懂hahah配乐不错=v= < class="com">没能坚持看完。为此意气用事非要跳过某老师的报告我后悔不迭！ < class="com">相对电影之后的扯淡讨论会，电影显得要容易忍受多了。 < class="com">剧场版。看在老马和爱胖的份上，就不黑了。 < class="com">放全本的时候还是值得再看一下的 < class="com">太长了...一段一段看... < class="com">带英文字幕83分钟剧场版。
