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类型:恐怖电影
主演:Maren Pedersen 克拉拉·庞特皮单 埃利特·皮奥 奥斯卡·
导演:本杰明·克里斯滕森
语言:其它
年代:未知
简介: 一部有关宗教巫术的准记录片,世界前50名纪录片第39位。 简介:《女巫们》也叫《历代的巫术》,可以看作是一部有关宗教巫术的准记录片。1919 到1921间丹麦导演创作了这部瑞典与丹麦合拍的超越时代杰作,并在该片中扮演魔鬼一角。这部影片构思新奇、造型技巧高超、画面结构严谨,运用富于表现力的特写镜头和动作感强的蒙太奇均很恰当。但是由于宗教原因,这部电影当时被瑞典和其他欧洲国家列为禁片,直到1929年,经过严格删剪的版本才在美国出现。导演也因为当时Hollywood的纳贤口号而移居美国,但也并未得志,郁郁而终。这部作品的意义不仅在于题材的敏感和手法的前卫,在视觉成就方面,本片无疑更是电影史上的翘楚之一。
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类型:剧情电影
主演:Maren Badger Eugene Brandon Kevin D
语言:英语
年代:未知
简介:In 2011, Lisa Hepner and her husband Guy Mossman heard about a radical stem cell treatment for diabetes, a disease that shockingly kills more than five million people each year. Driven by a desire to cure Lisa of her own type 1 diabetes (T1D), the filmmakers were given unprecedented, real-time access to a clinical trial -- only the sixth-ever embryonic stem cell trial in the wo...
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类型:剧情电影
主演:佐伊·卡赞 凯瑞·穆里根 派翠西娅·克拉克森 萨曼莎·莫顿 安德鲁·布
导演:玛丽亚·施拉德
语言:英语
年代:未知
简介:故事聚焦《纽约时报》女记者乔迪·坎托尔(佐伊·卡赞 饰)与梅根·吐赫(凯瑞·穆里根 饰),她们联手撰写了这个世代最重要的一篇报道,进而引发#MeToo运动,不但揭发了好莱坞数十年来默许的性侵真相,也永远改变了美国文化。 影片根据畅销书《她说:打破性骚扰的故事,帮助点燃了一场运动》(She Said: Breaking the Sexual Harassment Story That Helped Ignite a Movement)改编。
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类型:剧情电影
主演:MarenEggert EmilyAtef AlexisLoret
导演:安姬拉·夏娜莱克
语言:法语 德语
年代:未知
简介: 主演:MarenEggert/EmilyAtef/AlexisLore导演:安姬拉·夏娜莱克语言:法语/德语地区:德国编剧:安姬拉·夏娜莱克类型:剧情上映时间:2004-09-23 别名:用户标签:德国,德国电影,剧情,安姬拉·夏娜莱克,Angela_Schanelec,AngelaSchanelec,2004,2000s片长:91分钟imdb编号:tt0360779 Thefirstmovieofthe"BerlinerSchule"("LaNouvelleVagueAllemande"CahiersDuCinema)thatgainedinternationalrecognitionwithitbeingscreenedinthe"Uncertainregard"-sectionofCannesFilmFestival2004. Aftertheverys arsewhiteonblackoftheo eningcreditsweseethebackofSo hie'shead.She'sinacar,shes eaksawkwardFrench,thewomanwhodrivesgetsout,getsherama ,ofMarseille.Welearn,verysoon,thattheyareexchanginga artments,theotherwoman,hername,welearnlater,isZelda,willgotoBerlinandSo hiewillstay,forafewweeks,inMarseille.Zeldasays:GutenTag,AufWiedersehen,MeinFreund,derBaum,isttot-thelatter hrasebeingaGermansongbyaGermansingerwhodiedyoung.Zeldadisa ears,So hiestays.Zeldaveryliterallydisa earsbecausetherewon'tbeatraceofherwhenSo hiewillreturntoBerlin.TheMarseillea artment,em ty,unlivedinasitis,willhavebeenagift,somethinginex licablygiveninafilmthatendswithsomething-almostalife-taken. So hie,forthefirstthirdofthefilm,isinMarseille.Shewalksaround,shetakes ictures.Shelooksatthe ictures,shemoveswithoutadirection,thecameraiswithher,sometimesdistant,sometimesfollowingherclosely.So hieisastrangerinastrangeworld,shesometimesseemscutofffromhersurroundings.Wehearsounds,weseeherfacebutthebackgroundisblurred.Shedoesnotseemunha y,shedoesnotseemha y.Shedoesnottalkmuchandshealwaysthinksforalongtimewhensheisasked.Intheendshewillbeaskedwhatitisshe hotogra hs.Shewillthinkforhalfaminute(or erha sshedoesnotthink,butsim lyrefusestoanswer,toherself,tothe olicemanwhoasks)andthenshesays:Thestreets. Wedonotknowmuchofherandwedonotlearnmuchofherintheseminuteswes endinMarseille,walkingaroundwithher.Shemeetsayoungmanfromagarage,wholendsherhiscar,shedrivesaround,whichwedon'tsee.Thereisalotwedon'tsee-althoughittakessometimetorealizehowmuch.Shemeetstheyoungmaninabar,theydrink,afriendarriveswhoinsultsSo hie,fornoreason.So hieandPierre,theyoungman,walku inastreetthatislitinbrownishgoldenlightandtheyslee witheachother,whichwedon'tsee(and,really,don'tknow).Thenextnighttheydance. Oneveryshar cutlaterSo hieisbackinBerlin,sheisa roachedbyayoungwomanwhoreturnsaca toher,aca shehasleftinaMcDonald'srestaurantbeforeshewenttoMarseille.Thereismoreshehasleft,orrather:shehasrunawayfrom.(Atleastthisiswhatcan-butdoesnothavetobe-inferred.)ThereisIvan,a hotogra hershemightbeinlovewith.ThereisHanna,anactress,Ivan'sgirlfriend,theirsonAnton.WelearnmoreaboutIvan,welearnmoreaboutHanna.WeseeIvantaking icturesofwomenworkersinafactory,withoutanex lanation.Wejustseeandwatch.Wewatchthewomenfromasidewardsangle,thenwewatchIvantakingthe ictures,thenwewatchthewomanfromIvan's ers ective.Theytalk,butnotmuch.Wejusthearandseeandwatch.Thereisalotwesee-althoughittakessometimetorealizehowmuch.Weareleftwiththeseimages.Theyremainunex lainedandtheydon'tex lainwhatwesee."Marseille"hasabewilderingstructure,switchingfromtheelli ticalcut(shocking,really)totheinsistentgaze(frustratingfirst,butamazingafterall). Fortenminutes,atleast,wewatcharehearsal.Hanna laysaminorroleinaStrindberg lay.Thesamesceneisrehearsedthreetimes.WewatchthemantalkingtothewomaninanaggressiveStrindbergwayandweseeHannaenteringthestage.ThenthecameramovestotheleftandwewatchthewomanansweringtothemaninanaggressiveStrindbergway.Thistimewedon'tseeHannaenteringthestage.Whenleavingshemakesamistake,sheaddsawordthatdoesnotbelonginherline.Weseeherthenoffstage,cowering.Hannaisnotha y.Sheisnotha ywithDavid,shesuffersfromunex lainable ain.Wedonotlearnmuchmoreabouther.So hieisoutofsightforquitesometime.Westartdoubtingifthisisreallyherstorywearetold.Ohyes,itis,butSchanelecrefusestofollowherandherstoryinlinearfashion.Ivan'stakingof ictures,Hanna'srehearsalbecomeim ortant,notsomuchasex lanationsfortheirbehaviour,justasthe artsoftheirlivesSchanelechasdecidedtofollow. So hiethenreturnstoMarseilleandafterthemostdaringelli sisweseeherata olicestation,inayellowdress.Shesits,thenshetalks,thenshedoesnottalkforhalfaminute.Sheisaskedwhatitisshe hotogra hs.Thestreets,shesaysafterwhatseemsaverylongtime.Shecries.Weseeheronasidewalk,thecameramoving aralleltoher.Shecrossesthestreet,thecameraremainsonthesidewalk,So hieismovingawayfromit.Thenshesto sandthecamerasto s.SheenterstheGermanconsulate.InSchanelec's(andcinematogra herReinholdVorschneider's)filmsyouseethemostintelligentandsubtletravellingsimaginable-andevenmoreffectiveastheystarklycontrastwithalotofverylong,verystatictakesthatjustmakeyouwatchandsee. "Marseille"endswithaseriesoftakesonthebeach.Itisgettingdark,thestreetlam sareswitchedon.WeseeSo hieinheryellowdress,distant,moving,weseetheseaandthereisastrangekindofconsolationinthisimageofthedress,So hie,thesea. < style="text-align:center;">