备注:已完结
类型:恐怖电影
主演:Lane Carroll Will MacMillan Harold
语言:英语
年代:未知
简介:一架载有最新生化武器样本的军用飞机坠毁宾西法尼亚州某小镇附近的山上,破碎的生物样本流入水源。凡饮用过感染水源的人或中毒而死,或狂性大发自残自杀。派科姆上校(Lloyd Hollar 饰)及怀茨医生(Richard France 饰)奉总统之命,分别率领军队和医疗组赶赴小镇,希图控制病毒蔓延。 然而病毒扩散极为迅速,小镇已到不可救药的地步。华府作出决定,将用核武器彻底摧毁小镇以及被感染的人群,任何企图逃跑之人格杀勿论。为了生存而战战兢兢的人们,更要面对即将到来的毁灭厄运……
备注:已完结
类型:恐怖电影
主演:AnthonyCrenna AnnDouglas EnnioGirol
导演:法布里齐奥·德安杰利斯
语言:意大利语
年代:未知
简介:一群生态学者,前往某沼泽地区采集水质样品化验以便作成环境评估报告然而在这期间友人先后离奇失踪,终于得知是巨大鳄鱼所为,于是怀疑跟当地有人倾倒放射性废物有关。居住沼泽达三十年的乔闻后,而展开一场人鳄斗智斗力之争,鳄终于被消灭。
备注:已完结
类型:恐怖电影
主演:杰西卡·托维 蒂姆·菲利普斯 皮帕·布莱克 蒂姆·波考克 Andrew
语言:英语
年代:未知
简介:A couple of Australians introduce three American backpackers to the local legend of Lemon Tree Passage where a ghost of a motorcyclist warns young drivers to slow down. After seeing the ghost first hand they uncover a malevolent force that posses the area and threatens to wreak havoc on the final days of their vacation. Isolated and ten thousand miles from home, the tourists find themselves caught in the clutches of an evil force much more heinous than the local myth believed.
备注:已完结
类型:剧情电影
主演:MervynJohns RolandCulver MaryMerral
导演:阿尔贝托·卡瓦尔康蒂 巴兹尔·迪尔登 查尔斯·克瑞奇顿 罗伯特·哈默
语言:英语 法语
年代:未知
简介: 主演:MervynJohns/RolandCulver/MaryMerrall/乔姬·韦瑟斯/FrederickValk/AnthonyBaird/莎莉·安·豪威斯/RobertWyndham/JudyKelly/MilesMalleson/MichaelAllan/BarbaraLeake/拉夫·迈克尔/EsmePercy/巴西尔·拉德福导演:阿尔贝托·卡瓦尔康蒂/巴兹尔·迪尔登/查尔斯·克瑞奇顿/罗伯特·哈默语言:英语/法语地区:英国编剧:AngusMacPhail/E·F·本森/H·G·威尔斯H.G.Wells/JohnBaines/T.E.B.Clarke类型:悬疑/惊悚/恐怖上映时间:1945-09-04 别名:深夜用户标签:恐怖,英国,惊悚,悬疑,1945,英国电影,Cult,cult片经典片长:103分钟/USA:77分钟/Germany:95分钟imdb编号:tt0037635 本片以一个鬼怪故事为骨架,叙述了五个鬼故事。建筑师沃尔特·格兰杰到郊外一个农庄去洽谈业务。他感到农庄像旧地重游,原来他做过一个可怕的怪梦,屋里所有的人都在梦里出现过的。当他向客人谈及这怪事时,范医生发表自然怀疑论的看法,从而引出每个客人叙述了—段自己亲身经历的鬼故事。 死亡之夜电影网友评论:< class="com">环形叙事无限循环,恐怖故事串烧,梦境与幻境,预言和诅咒,这片子放今天一点儿都不新鲜,都这……特么是建国前的作品啊……给跪了。以今天的眼光看,不足很多:气氛的营造;各个小故事本身还可以更精彩(不过几个小故事倒是有渐入佳境的感觉,在前几个不痛不痒的故事后,“高尔夫”故事荒诞黑色,“木偶”更是有个相当现代的结尾);最后把所有故事串在一起的收尾遗失了小故事中的一些精华(比如我的一个胡思乱想是男主在和木偶打斗的时候把木偶的头扭下来(照应第二个故事),画面淡出,一段黑场(灯光变化照应第一个故事),画面淡入时男主坐在床上,发出木偶的笑声(照应最后一个故事的结尾)。此外“高尔夫”的故事好像没有照应?那个故事里的精华手势应该很容易植入啊……)。虽然有种种问题,本片毫无疑问依旧是一部顶级的作品。9.5 < style="text-align:center;"> < class="com">1.四位导演合作,喜骇并行、奇趣横生,回环结构工整巧妙。医生作为推动剧情和构建悬念的重要枢纽,将五个看似独立的小故事以彼时盛行的潜意识及心理分析完美衔接。2.影片中的许多情节设置,诸如预知死亡/魔镜摄魂/人格分裂/玩偶谋杀和幽魂复苏无不启发后世作品,加之年代久远,更为令人称道。 < style="text-align:center;"> < class="com">9.5,黑白片的剧本都这么强大吗?几乎没什么缺点,没有特效但是剪辑和配乐还是成功营造了恐怖悬疑感,几个小场景演绎与大故事无缝衔接,最后汇总魔幻相当精辟。相比之下现今的梦类故事真是没什么意思了。黑白片子除了玩不了特效和色彩,大概把所有题材都拍尽了吧。镜头给的特别漂亮。 < style="text-align:center;"> < class="com">五个小故事串成电影,看的过程中以为故事之间没有联动,没想到结局竟然把所有事情连在一起,细想越来越恐怖,梦境与精神的困扰,内心的恐惧往往比真实看到的还恐怖,鬼故事讲述的引人入胜,台词幽默有趣令人会心一笑,场景设计独特惊喜令后来人致敬无数,最后的真实一幕完全被吓到了! < style="text-align:center;"> < class="com">这部1945年的恐怖惊悚片会让你真正感受到诡异的力量。《死亡之夜》属于那种能够让人浑身不停寒毛耸立的鬼故事,它完美地概括了人对神秘的好奇和恐惧,这种奇妙的感受非常有力,将观众的反应变成了自己故事的一部分。如果要向人推荐一部鬼故事式的电影,《死亡之夜》是我的首选。 < style="text-align:center;"> < class="com">【8.1】分段式的剧情,看似每个故事都是独立的,实则却都是相互有关系的,最后所有的故事串在一起,加上一个无限循环的结局,真是令人拍手叫绝。。重点这是1945年的片子啊。。现在我们都是用的人家玩剩下的了?。最后人偶的那个故事最精彩,镜子那个故事最蠢。。 < style="text-align:center;"> < class="com">及其巧妙的结构,四名导演分执不同部分,将分段式的四个故事呼应于一个主架构故事从而构成一个闭环叙事,这样的形式放在当时绝对是前无仅有。后两个故事出彩,一则滑稽喜剧的鬼故事与一则瘆人的惊悚作,让人心生神秘与不安观感。影史百佳英国电影第六十八位。 < class="com">梦中之梦、潜意识之谜、Deja-Vu之惑、欲罢不能之罪、物我难分之觞、暗物质爆发之夜。众导演风格各异而衔接无间,古镜与木偶为上,高尔夫喜剧调节气氛&节奏。环形结构来自文本自身魅力。深夜赏腐国精密作,有如久旱甘霖。 .s.豺狼时刻有外套影。 < class="com">列举影响力没意义这部拆起来不费劲主要是几个场景这个不管跨类型也好融合也好引用元素也好都得学会让思维模式再开阔一些就算文章本天成不参考修正也不会妙手偶得1核心的存在主义以人为中心的个性和自由2表现主义不废话3再追一层巴洛克+风格主义 < class="com">太经典了!想不到看这部片这么晚,此后被无数借鉴,开场这个男人来自地球的走位构图,预知死亡,命运轮回,鬼魂缠身,尤其是最后的腹语表演者,让人想到死寂,然而他却是一个双重人格,豁然开朗,一切都存在梦中,又现恐怖游轮似无限循环。 < class="com">层层套嵌的结构很精彩,五个故事中最喜欢魔镜摄魂的故事。。。能够成功的将很多元素混合到一起从而拍出一部经典的恐怖片确实难能可贵,但是要说以后的电影都是抄袭这片这话可不好说,因为在这片之前结构牛B层层套嵌的就已有范本。 < class="com">一开始觉得挺有共鸣,我们偶尔也会有“觉得眼前的现实早曾被梦境所语言”但是渐渐地开始融入欧美恐怖的根源,是梦境,是精神分裂,还是超自然神力?原来是几个导演拍的,但是糅合地还是很不错的,很好看,非常有意思的片子!
备注:已完结
类型:恐怖电影
主演:Paul Naschy Julia Saly Lola Gaos
语言:其它
年代:未知
简介:PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,