备注：已完结
类型：恐怖电影
主演：Marshall Thompson Shirley Patterson
语言：英语
年代：未知
简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
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类型：恐怖电影
主演：MarkPatton 肯·迈尔斯 罗伯特·拉斯勒 克鲁·古拉格 霍普·
导演：JackSholder
语言：英语
年代：未知
简介： 被打回地狱后5年，弗雷迪又回来了，这回他要占领一个小男孩的身体。南茜曾经居住过的榆树街1428号现在卖给了男孩杰西一家。于是从此杰西开始为噩梦所困扰。一次他在地下室不经意地发现了弗雷迪的钢爪手套，由此重新释放了弗雷迪，弗雷迪借用杰西的身体重新开始了一系列的杀戮。当死亡的威胁开始逼近杰西的女友莉萨时，尽管杰西竭力控制自己的意识以此来对抗弗雷迪，但弗雷迪的邪恶意念也越来越强烈，在莉萨举办的一次聚会上，弗雷迪突然出现对在场的孩子们大开杀戒，并将杰西和莉萨拖入噩梦中，妄图加害。最后在莉萨的爱的感召下，杰西终于战胜了弗雷迪的控制，当然对于榆树街的孩子们来说，弗雷迪的噩梦还远远没有结束.猛鬼街2电影网友评论：< class="com">看的难受。首先剧情太差，情节推动全靠梦境，看的昏昏欲睡；其次，把弗莱迪只能在梦中改变事物这一设定改了，而且完全是为了制造惊悚感，然而却看上去特别拙劣；最后...某些情节真是看得我尴尬症一阵一阵的，男女主恋爱关系完全成了女方倒追男方，当然主要还是导演的问题，各方面指导都不及韦斯啊 < style="text-align:center;"> < class="com">几乎翻拍第一部，只不过将女主角改为相貌阴戾的男中学生，主题仍然是“青春期成长烦恼、人性与魔性的交战”，如今看惊悚效果一般，暴力尺度比较小，反反复复的噩梦比较折腾人。亮点是个别场面的表现主义色彩与构图比较有创意，80年代美国校园怀旧氛围值得一看，女一号外貌酷似年轻时的梅丽尔斯特里普 < style="text-align:center;"> < class="com">哈哈哈哈哈哈哈哈哈本来只准备给三星的电影，看了评论果断5星啊。我自己都没注意到，虽然看到酒吧，鞭打，各种露肉有那么些隐隐约约的feelings，但真没有往那方面想啊哈哈哈哈哈哈哈哈哈。导演也太大胆了吧哈哈哈哈哈哈哈哈哈。正经来说，虽然结尾乏力，血腥细节做得挺用心的 < style="text-align:center;"> < class="com">【4.0】烂透地心的续集。抛弃了前作若虚若实梦境杀人的精髓，把Freddy写成了一个不过是光天化日下窜跳着杀人的魅力全无的疯子。充斥着一堆恶趣味的奇葩元素就更别提了。。同时也是完全可以当作是不存在并不影响系列剧情了解的续集啊。 < style="text-align:center;"> < class="com">实力难看居然把猛鬼街系列的入梦杀人这个经典概念化为附身人体进入现实本身就是毁作佛瑞迪这个无懈可击的鬼中霸主居然被[用爱感动]这老土的一招打败了?是山寨的把导演还是原来的么?肯定是粉丝同人剧而且男主娘炮又基又笨我可以去看3了 < style="text-align:center;"> < class="com">作为系列的过渡章节，剧情很一般，因为有了心理预设所以对结尾的反转就没有意外了。但这一季在视觉上比第一季要好很多，像人脸狗、僵尸猫这样很大胆的想法，加上没有特效，恐怖效果特别真实，庆幸是一大早看的，不然晚上绝对会做噩梦… < style="text-align:center;"> < class="com">猛鬼街系列中走偏的一部，全片都跟梦没什么关系了。跟前作唯一的共同点是，用所有人的懦弱智障来衬托女主的聪慧勇敢。派对屠杀那段是最大的槽点，当弗莱明暴露在众目睽睽之下，便不再神秘，即使破坏力再大，他么能算恐怖片的桥段？ < class="com">比较粗糙，青春爱情故事加点恐怖成分，最后证明两人爱情坚定不移，大约有2/3内容都是高中生生活的种种，各种表现青春的美好和丰富多彩，恶魔似乎只是打个酱油偶尔出来活跃气氛的。喜剧成分不少，总的来说就是青春喜剧片。 < class="com">哎！我倒是很喜欢这一部，小细节抓的很棒，比如 arty上大家踩断了同学的脖子要逃命，很现实主义嘛……其实从来都没有Fred，恐怖抓出了人内心底处最黑暗的东西，这也就是为什么Fred永远不会消失的原因。 < class="com">这个感觉完全与第一部的设计冲突，第一部梦境现实来回转换还是很有新意，这一部变成鬼附身了，最后更是变成穿越魔界，简直无语，完全是模仿其他的电视剧的情景，要不是最后的爱情战胜邪恶，我就给一分了 < class="com">爹是大坑货系列，女主酷似梅丽尔斯特里普。男主不停扭臀尖叫，体育老师爱搞比利，全员男性疯狂裸奔，为啥这片这么基？很多充满神秘感的第一视角长镜头，摄像师机器端的倒是挺稳但是影子暴露了。。 < class="com">猛鬼街系列都是很阳性的恐怖片，这片更是全程零阴森氛围。所以，如果抱着被吓到的目的来看这部必然是会失望的，惊吓度为负值，很可能睡着。但抱着小爆米花态度来看的话还可以，有小桥段
备注：已完结
类型：剧情电影
主演：索拉朋·切特里 尼鲁·西里詹亚 ApinyaRungpitakaman
语言：泰语
年代：未知
简介：《孔剧人生》是一部关于泰国国粹“孔剧”兴衰的一部故事片孔舞是一种泰国传统舞蹈。他是由戴面具的男士来表演，一旁会有旁述者加以说明故事情节，通常还会伴有类似中国的皮影戏这种艺术形式来表演。女性一般也会参与到其中来表演。这是一部经历团员勾心斗角，最终悲欢离合的精致大片。
备注：已完结
类型：剧情电影
主演：PaulMercurio TaraMorice PatThomson
导演：巴兹·鲁赫曼
语言：英语 西班牙语
年代：未知
简介： 主演：PaulMercurio/TaraMorice/PatThomson/BarryOtto/比尔·亨特/Pi Mushi导演：巴兹·鲁赫曼语言：英语/西班牙语地区:澳大利亚编剧：巴兹·鲁赫曼/CraigPearce类型：剧情/喜剧/爱情上映时间：1992-08-20 别名：舞出爱火花/舞出一片天/严格的舞厅/舞厅王子用户标签：澳大利亚,舞蹈,爱情,歌舞片,歌舞,澳大利亚电影,BazLuhrmann,1992片长：94分钟imdb编号：tt0105488 斯科特（保罗·莫库利奥PaulMercurio饰）出生于舞蹈世家，在父母的耳濡目染之下，年轻帅气的他对舞蹈充满了兴趣。充满创意的斯科特喜欢在传统的舞蹈中加入他自创的新鲜舞步，但很显然，刻板的评委并不喜欢斯科特的创新。一个名叫芙兰（塔拉·莫里斯TaraMorice饰）的女孩找到了斯科特，希望能够与他搭档，斯科特意外的发现，他和芙兰之间的节奏异常合拍，在亲密无间的合作下，真挚的情感在两个年轻人之间产生了。 斯科特的母亲雪莉（PatThomson饰）对于其貌不扬的芙兰并不满意，她找到了美艳奔放的缇娜（SoniaKruger饰），希望她能够成为斯科特的新舞伴，斯科特当然拒绝，可为了实现自己的目的，雪莉竟然不惜使用谎言逼迫斯科特就范。在痛苦之中，斯科特放弃了芙兰。 第45届戛纳电影节青年电影奖外国电影巴兹·鲁赫曼 舞国英雄电影网友评论：< class="com">居然是澳大利亚的电影喔，男主一口扁扁的性感口音，寒冷的冬天看得我热情似火。戏剧张力，拍摄手法，画面都有讲究，看到可口可乐天台舞蹈那块就知道拍摄角度好和不好差别多大了2333,后面揭露道格的一生时莫名奇幻，仔细一想这片本来就很奇幻，大家就只跳舞而已，而且随便哪个好像都跳得特别厉害...几个舞蹈场景都很养眼，特别是快步舞，激动人心，演员演技和舞姿都很好！ < style="text-align:center;"> < class="com">7/10。可能作为处女作成本小的缘故，影片在歌舞调子上节制许多，没有像鲁曼后期作品一样被浮夸过火的形式抢了眼球。理想与爱情的选择，名誉下亲情的谎言背叛，舞台上的视听刺激与台下的阴谋较量，尽管看起来老套的剧情设置了足够的障碍和情绪铺垫，但感情戏依然是表面元素，观影时也未掀起太大的快感。 < style="text-align:center;"> < class="com">标准三俗片，剧情俗（励志款俺必成功），主题俗（灰姑娘母题，帅锅只爱你），配乐俗（蓝色多瑙河、卡门、纳京高），却俗得好看…撸儿慢这辈子跳不出亮瞎眼的舞场了…看完这个，怎么着也得给《苏格兰飞人》（狠抽行会资本家的臭脸）《乌云背后的幸福线》（阿哥阿妹谈谈情跳跳舞）减去至少一星半… < style="text-align:center;"> < class="com">俗得彻底，俗得精彩！巴兹·鲁赫曼在处女作就亮出了他的王牌也是他最钟爱的两个元素“不同阶级的爱恋”和“热情无限的舞蹈”，《舞国英雄》远比他的《红磨坊》《罗密欧+朱丽叶》都难得，因为这完全是一部“导演的电影”。电影每个方面其实都不甚出奇，出彩的是导演把这一切组合得非常完美。 < style="text-align:center;"> < class="com">故事天真烂漫，有戏剧张力。舞曲经典，连流行歌曲loveisintheair, erha s erha s erhas,timeaftertime到现在还耳熟能详。至于舞蹈，看不太懂，但是Scott和Fran在后台的那段倒是看出了rumba爱的感觉。看了心情好的电影~ < style="text-align:center;"> < class="com">红磨坊很好的继承了这部电影的风格。虽然是看开头知结尾的故事，但是这部电影拍得真的很不错看。一开始觉得男主很像盖·皮尔斯，后来几个特写看着又感觉很像龙哥。澳洲英语真的听不习惯，但电影真的不错看 < style="text-align:center;"> < class="com">终于看完了红幕布三部曲。。。一如巴兹·鲁赫曼的风格：服装夸张华丽，剧情狗血俗套，人物设定简单粗暴。。。不过看着看着又有了在看红磨坊的感觉，像是第一次看电影一样，很感概。。。 < class="com">看了这一部就真的是把baz导的电影补完了~最喜欢他的节奏，每次都是只想看个开头就是了，结果都不由自主地一气儿看下来~~觉得女主有好几个角度都好像MiaWasikowska < class="com">歌舞片最大一特点就是你可以直接跳到最后先看高潮而不影你响理解剧情！在可口可乐广告牌下练舞的歌曲好好听~-e5e1-4d4f-96d6-a42691c3495e < class="com">他们澳大利亚92年的电影真拍的跟美帝62年的电影似的www不过还蛮好看的，算是爱情和梦想双双圆满了的喜剧片。一直很喜欢舞蹈题材的片子，也算看的津津有味了 < class="com">同样是规范和套路的故事，以及对节奏的把握初显了BazLurhmann日后《红磨坊》中的韵律和活力。强势的母亲，父母的过往，官僚组织；保守与创新的对抗。 < class="com">在临街的露台，在驰动的铁轨边，人们翩翩起舞。很美。舞蹈是生活化的，应该给人带来快乐。这部电影给我带来了快乐。我感受到了交际舞和拉丁舞的美好。
备注：已完结
类型：泰剧
主演：披陂普尔·蓬帕特·岸哈披帕彭 Kong Montree Pattara
导演：皮安崇·达姆容桑托恩查
语言：泰国语
年代：未知
简介：可爱的大学生拉克的伴侣背着他和拉克最好的朋友偷情。这段新的伤痛期给了坏男孩哈泽·迪诺一个直接向拉克献殷勤的机会。迪诺不害怕表达自己的感受。毫不动摇，他等待他的下级动摇，并打开他的心与他出去。~改编自斯克里帕尔的小说《恐龙之恋(???????????)》Bunny-cuteuniversitystudentRak’spartnercheatsonhimwithRak’sownbestfriend.ThisnewperiodofhurtgivesbadboyhazerDinotheopportunitytohitonRakstraightforwardly.Dinoisn’tafraidtomakehisfeelingsknown.Unwavering,hewaitsforhisjuniortobeshakenandopenhishearttogoingoutwithhim.~~Adaptatedfromthenovel"DinosaurLove(???????????)"byScriper
