备注：已完结
类型：剧情电影
主演：内详
导演：居伊·德波
语言：法语
年代：未知
简介： Voice1(male" rofessionalannouncer"ty e):Thisneighborhood(1)wasmadeforthewretcheddignityofthe ettybourgeoisie,forres ectableoccu ationsandintellectualtourism.Thesedentary o ulationoftheu erfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofha iness,wasex ressedinacts.These eo lealsoscorned"subjective rofundity".Theywereinterestedinnothingbutanadequateandconcreteex ressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygro inginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgrou sandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1:Theysaidthatoblivionwastheirruling assion.Theywantedtoreinventeverythingeachday;tobecomethemastersand ossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconce tionhehasofhimself,onecannotjudgesuch eriodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustex laintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocial roduction.The rogressachievedinthedominationofnaturewasnotyetmatchedbyacorres ondingliberationofeverydaylife.Youth assedawayamongthevariouscontrolsofresignation.Ourcamerahasca turedforyouafewas ectsofa rovisionalmicrosociety.Theknowledgeofem iricalfactsremainsabstractandsu erficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalone ermitsthesu ersessionof artialandabstract roblemssoastoarriveattheirconcreteessence,andim licitlyattheirmeaning.Thisgrou wasonthemarginsoftheeconomy.Ittendedtowardaroleof ureconsum tion,andfirstofallthefreeconsum tionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutde rivedofanymeanstointerveneinthem.Thegrou rangedoveraverysmallarea.Thesametimesbroughtthembacktothesame laces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2:"Ourlifeisajourney"”Inthewinterandthenight."”Weseekour assage..."�Voice1:Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2:Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthe otentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheim ortanceofaworldwithoutim ortance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincom letelytowarddiverseobjectsandcancom letelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbe ossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1:Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirre arable.Theextreme recariousnessofthemeansofgettingbywithoutworkingwasattherootofthisim atiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2:Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1:Whenfreedomis racticedinaclosedcircle,itfadesintoadream,becomesamerere resentationofitself.Theambianceof layisbynatureunstable.Atanymoment"ordinarylife"�can revailonceagain.Thegeogra hicallimitationof layisevenmorestrikingthanitstem orallimitation.Anygametakes lacewithinthecontoursofitss atialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywhere eo lemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenreca turedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebad roductsofabadsocietyarethemostuglyandre ugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheir roducts.Onecan,incontrast,envisagetheentirecom lexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyeta ear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2:Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmade ossible,andincreasinglynecessary,adirectconstructionofallas ectsofaliberatedaffectiveand racticalexistence.Thea earanceofthesesu eriormeansofaction,stillunusedbecauseofthedelaysinthe rojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsand owerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smono olyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromacultural roductionofficiallydevotedtoillustratingandre eatingthe ast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthe athslearnedonceandforall,totheirworkandtheirhome,totheir redictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheruseoftheurbanlandsca e,inquestofnew assions.Theatmos hereofafew lacesgaveusintimationsofthefuture owersofanarchitectureitwouldbenecessarytocreatetobethesu ortandframeworkforlessmediocregames.Wecouldex ectnothingofanythingwehadnotourselvesaltered.Theurbanenvironment roclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenews a ers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peo lecanseenothingaroundthemthatisnottheirownimage;everythings eakstothemofthemselves.Theirverylandsca eisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofallty es.Theymaintainedthecoherentreignof overty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinku withthemasses,butweweresurroundedbyslee .Voice3:Thedictatorshi ofthe roletariatisades eratestruggle,bloodyandbloodless,violentand eaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1:Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheir ower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthe ast.Voice2:Years,likeasingleinstant rolongedtothis oint,cometoanend.Voice1:Whatwasdirectlylivedrea earsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2:Thea earanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthe assageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthe astfromthe resentis reciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingke t?Voice3:Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Wearese arated.Theyears assandwehaven’tchangedanything.Voice2:Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarly assednights.Itisawalkthathaslastedalongtime.Voice1:Reallyhardtodrinkmore.Voice2:Ofcourseonemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"” oorandfalselikethisbotchedtravelingshot.Voice3:Therearenow eo lewho ridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecom ositionandexhaustionofindividualex ressioninourtime,ignorantoftheendoftheartsof assivity.Theyare raisedfortheirsinceritysincetheydramatize,withmore ersonalde th,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyex resstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyinthe ers ectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2:Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoex anditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenisthe roductofthisrealneed.Thestaristhe rojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethe oint?Bettertogras thetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthes ectacleandofmemories.1.Thisfilm,whichevokesthelettristex eriencesattheoriginofthesituationistmovement,o enswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s
备注：已完结
类型：美剧
语言：英语
年代：未知
简介： StellaBallister(PatriciaOwens)receivesthehorrifyingnewsthatherhusbandmetwithanuntimelydemisewhilemountainclimbing.Newlymarried,Stellaasksfortheretrievalofherhusband’sbody-butthetask rovesim ossiblewhenthecor seaccidentallyfallsintoadee crevasse,wherenohumaneyesorhandscanreachhim.Mark(JamesDonald),havingfeelingsforStella,staysbyherside,aclosefriendandnothingmore.Fortyyearslater,stilltryingtogetoverthenewsoftheaccident,Stellalearnsthattheglacierhasmoved.Hiringacrewtohel ros ectherhusbandoutoftheice,theyfindthebody reservedanduntouched.Stellaviewsthebodyofherhusbandonelasttime
备注：已完结
类型：科幻电影
主演：文森特·普莱斯 布雷特·哈尔西 大卫·弗兰克海姆 约翰·萨顿 丹·西摩
导演：爱德华·伯恩茨
语言：法语,英语
年代：未知
简介： 菲利普·德朗布尔（布雷特·海尔赛BrettHalsey饰）决定完成父亲的遗志，实现他生前留下的实验。但是菲利普的叔叔弗朗索瓦·德朗布尔（文森特·普莱斯VincentPrice饰）拒绝提供任何帮助。无奈的菲利普只能雇佣艾伦·海因斯（大卫·弗兰克汉姆DavidFrankham饰）来帮助自己，并动用父亲留下的资金。可是实验装备还没齐全资金就耗尽了。当菲利普威胁叔叔弗朗索瓦要卖掉属于父亲的那一半财产时，弗朗索瓦突然一百八十度大转弯，不仅态度有所缓和，还答应借给他资金。几经周折，时空交错机器终于启动，它能够将物体分解传输到另一个地方再重组。然而艾伦却是名为罗纳德的一名工业间谍，他的邪恶阴谋正在一步步向菲利普逼近。这部也是由二十世纪福克斯公司于1959年推出的《变蝇人回归》是1958年拍摄的恐怖电影《变蝇人》的续集，相较于彩色的《变蝇人》本片被拍摄成了黑白影片。1965年二十世纪福克斯公司再次推出它的姊妹篇《变蝇人的诅咒》
备注：已完结
类型：剧情电影
导演：王苹
语言：汉语普通话
年代：未知
简介： 五十年代中期，河南农村。共青团员岳仙（田华饰）响应县委号召，报名参加了青年突击队，小姐妹们纷纷响应。封建思想较严重的岳老信（刘磊饰）等长辈坚决反对女人上山，认为是瞎胡闹，女人上山不吉利等。针对封建残余的议论，岳仙并没有妥协，进行了面对面的斗争。上山后，她们和男劳力一样从事繁重的体力劳动，不叫苦不喊累。由于个别人在劳动中摔伤，部分青年人动摇了，有的人甚至离开了治山工地，大家的思想一度产生混乱。文书记（李炎饰）的及时到来，帮了岳仙的大忙。他肯定了青年人治理荒山，美化家园的良好志向并认命岳仙为突击队长，发展壮大了突击队成员，并把他们良好的经验向全县推广.....
备注：已完结
类型：剧情电影
导演：泰伦斯·费希
语言：英语
年代：未知
简介： 主演：安东·迪夫伦/哈泽尔·考特/克里斯托弗·导演：泰伦斯·费希语言：英语地区:英国编剧：JimmySangster/BarréLyndon类型：剧情/科幻/恐怖上映时间：1959-11-30 别名：用户标签：科幻,1950s,英国,英国电影,恐怖,惊悚,tehPARADOX,英國片长：83分钟imdb编号：tt0053041 不死的男人电影网友评论：< class="com">还可以吧，本来是个不错的主题，但并不深刻，毕竟要考虑年代的限制。不是特别吓人，好吧，不吓人…那医生还是挺帅的。哦，对了，这年代的电影女主都蠢的不要不要，现在真好 < style="text-align:center;"> < class="com">电影不长精彩处却短，总觉得变身时那满脸惊悚绿像绿豆面膜没涂匀......恐怖点都来自于女人们的尖叫。 s:安东•迪夫伦的那一汪水蓝明眸啊~ < style="text-align:center;"> < class="com">[拖延症字幕组][彩色]不死的男人.TheManWhoCouldCheatDeath(1959) < style="text-align:center;"> < class="com">有缺陷的永生，放在克苏鲁神话背景下会同时兼顾到惊悚感，而这部则徒有其表。 < style="text-align:center;"> < class="com">永生题材，节奏控制的太差了。克里斯托弗李竟然演了个英雄救美的正义医生… < style="text-align:center;"> < class="com">其实有电影感，可惜节奏太慢，舞台版的调度太严重。 < style="text-align:center;"> < class="com">虽然只有八十多分钟，但精彩的部分还是很少。 < class="com">剧情很简单但是紧凑好看啊~ < class="com">天呀、我也算是看過了…… < class="com">多看此时代的英国电影 < class="com">老李难得没当反派 < class="com">拖延症字幕组。
备注：已完结
类型：美剧
主演：英格丽·褒曼 IsobelElsom LaurindaBarrett
导演：约翰·弗兰克海默
语言：英语
年代：未知
简介： Wong&nbs ;Wien&nbs ;Hua&nbs ;Jai&nbs ;(Love&nbs ;Rotation又名愛情洗牌)&nbs ;Weir&Pinky&nbs ;09.07.15接擋&nbs ;天鹅索套 當Bu hachart（Pinky飾）從國外回到泰國時卻得知她的男友Wora hong，&nbs ;即將結婚與Vithinee&nbs ;，壹位擁有葡萄園的百萬富翁的妹妹結婚。&nbs ;Bu hachart很傷心，于是她到酒吧借酒消愁，卻遇到壹群壞人故意把壹些迷藥放&nbs ;在她的飲料裏企圖R她，幸好被Tos(Weir飾)救了並把她帶到了壹個酒店休息，因爲Bu hachart醉酒把Tos當成了她的男朋友又哭又鬧，並表達了自己心中的憤怒和傷心，直到半夜Tos好不容易使她安靜的睡著了。&nbs ;就在非常短的夜晚，愛迅速點燃了Tos的心，他知道，他已經愛上了這個陌生女孩。第二天早晨Bu hachart終于醒了。卻發現Tos的T恤在她身上，這讓她誤會Tos&nbs ;R了自己並且不讓Tos解釋，&nbs ;Bu hachart尖叫著跑出了酒店，感覺悲傷和害羞，&nbs ;甚至無法對她的姐姐，Busaya orn。&nbs ;當時她真希望Tos去死！再來說說那個前男友Wora hong&nbs ;，當他聽Bu achart回來了，他就去找她，但她卻說分手。&nbs ;然而，因爲他們曾經在壹起時間那麽長又使Bu achart猶豫。&nbs ;Wora hong告訴她，他永遠愛她，但自從她離開去了國外他覺得很難守住這段異地戀。于是他和Vithinee戀愛，直到她懷孕。這導致他不得不娶她。但他仍然懇求Bu achart等他..當Bu hachart真的決定和Wora hong分手時，Vithinee已經跟蹤Wora hong而來。&nbs ;她打了Bu hachart並告訴她，她只能是第三者，Bu hachart應該感到羞愧因爲她&nbs ;偷了別人的丈夫。&nbs ;憤怒的情緒使Bu hachart想贏，于是她告訴Vithinee她自己才是第三者，因爲是他令Wora hong離開她。&nbs ;這時Vithinee有心髒病發作，&nbs ;Wora hong和Bu hachart帶她到醫院去。 旋转的爱电影网友评论：< class="com">挺喜欢这个故事的，剧情娓娓展开，有种逼仄感迎面而来，像被一只手紧紧噎住喉咙 < style="text-align:center;"> < class="com">在HANA里看完的。。。有恐怖一点点逼近的感觉，正好似螺丝在拧紧。 < style="text-align:center;"> < class="com">我看到的是BBC2009版. < style="text-align:center;"> < class="com">看了下百科，海报弄错了。 < style="text-align:center;"> < class="com">想看电视版 < style="text-align:center;">
