备注:已完结
类型:韩国电影
主演:Catherine Spaak Jean-Louis Trintign
语言:意大利语
年代:未知
简介: Asexywidowdiscoversherlatehusbandhadasecreta artmentwherehecheatedonher.Nowshedecidestousethesamea artmenttoex loreherownsexuality.@www.lsjdyw.net
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类型:韩国电影
主演:Marcin Kowalczyk Jasmine Polak
导演:克日什托夫·斯科涅茨尼
语言:波兰语
年代:未知
简介: Acontem orary,multi-facetedmetro olis.Nouveau-riche arentsandtheirhedonist,live-in-the-momentchildren,surroundedbyarealitywhereangerandtension ulsatealmosttothebrinkofex losion.ThisiswherewemeetMarcin,ayoungmanwhocomestothecityandmeetsOla,acou leofyearshisjunior.Fascinated,thegirlletshimintoherworldofdrugs,endless,bohemian artiesandillegalcarraces.However,neithershenorher arentsknowthatMarcinhasawell-guardedsecretanda lanforrevenge…
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类型:韩国电影
主演:亚纱美 Slappy Cortez Mack De'erens Eil
导演:城定秀夫
语言:日语
年代:未知
简介: 如今的暴走卡车少女奈美(吉泽明步饰),学生时代曾有一个死对头名叫绫乃(亚纱美饰),二人经常发生争斗,不分上下时隔多年,当年的不良少女绫乃竟摇身一变成为火辣女警察正所谓新仇旧恨,奈美不幸栽到她的手中,因超速被吊销执照,还被迫充当义工好不容易拿回驾驶执照,又刚巧赶上不景气的时候。在其他两名司机的推荐下,奈美为一神秘客户运送货物,报酬颇丰。与此同时,绫乃也在暗中调查那个神秘客户。原来他是一个毒品贩子,早年曾杀害绫乃的丈夫。为了揪出这个恶棍,绫乃将儿子托付给奈美,踏上一条充满凶险的道路…… 本片为暴走卡车少女系列第二部。
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类型:韩国电影
主演:Sam Chotibund Laila Boonyasak Jutar
语言:泰语
年代:未知
简介: Em富有想象力和创造力,并且英俊;他爱过左拥右抱式的生活他于国内某大公司负责开发甚具前景的产品「梦仪」虽然Em到处留情,但仍然吸引不少女性向他投怀送抱在"梦仪"的开发组里,有为求目的不摘手段的市务经理Nicky,跟Em亦同事亦朋友的工程经理Em,进取具自信的产品设计师Pang,和渴求真爱,自认为Em而生的程序编写员Mill。而另一企业的美女副总裁Rose亦迷上Em,她决意如她的工作般,掌控她跟他的关系。一天Em在酒吧邂逅有钱又性感的Joy,春宵过后,他竟遇到天神。天神要他以后爱情专一,否则前路堪虞。他会如何选择呢?
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类型:韩国电影
主演:Barbara Anne Constable Christopher
语言:印尼语
年代:未知
简介: MeettheQueenoftheSouthSeas.Asexuallyvoraciousgoddess,sheluresyoungmentohercastleand,iftheyfailtosatisfyherdemands,killsthemfasterthanyoucansay'vaginadentata',leavingherhandmaidenstodis oseofthecastratedremains… OnenighttheQueenmeetshermatch.Her ria icsuitorsnatchesthesnakethatisthesourceofher owerfrombetweenherthighs–causingittotransformintoakrisfasterthanyoucansay'blatantsymbolism'–anddemandsthatshesubmittobehiswifeascustoma arentlydictates.TheQueen,however,refuses,swearsrevengeontheman'sancestorsand lungesintotheseatocommunewithevil… Fastforward100orsoyearsandweareintroducedtoTanya(KristiannaLoken,erBarbaraAnneConstable),anforeignanthro ologystudentresearchingthelegendoftheSouthSeasQueenforherthesis.Shechartersaboat,goesdivingandinex licablywindsu s readeagledonagiant-sizebedintheQueen'sundersealairtothenbe enetratedbythemagicsnake- hallus. Afewdayslater–theboathavingbeenlostatseainasudden,inex licablestorm–thenow-reincarnatedQueen/TanyarisesfromtheseaA hrodite-like(thoughthat'ssurelyanethnocentricdescri tion;whynotA hroditerosefromtheseaNyaiLoroKidul-likeafterallhethensaysinaboutofself-criticism)anddis osesofacou leofdrunks,therebyequi ingherselfwithtightleathersandsomefirearmswithaseeminglyendlesssu lyofammunition… Fromhereonit's rettymucharehashofTheTerminatorastheSeaQueengoesafterErica,asingerwhoisthedescendantofhersuitor.PolicemanMax(Christo herJ.Hart)andhisbuddiesrescueEricafromadiscomassacre–cuethe"Comewithmeifyouwanttolive"line–andtakehertothestationfor rotection.NaturallyLadyTerminatorarrivesandshootsthe laceu ,butEricaandhernewloveinterestmanagetoesca e.A rotractedseriesofchases,shootoutsandex losionsensueuntil,finally,Maxandco.faceoffagainstthenow-ZombielikeLadyTerminator,com letewitheyesshotinglaserbeams… IsLadyTerminatoragoodfilm?Doyoureallyneedmetosayno?.Onelaughsatthefilmratherthanwithit,whetheritbethefashionsandhairstyles–snowwashedjeansandmulletsanyone?–thero eyeffects;theoverlyintrusiveanddecidedlycheesysynthscore;shoehorninginofTerminator-ismsaswhentheotherwiseall-butindestructibleQueenremovesandthenreinsertsadamagedeye;or–firstamongequals–theoftenludicrous ost-syncheddialogue: Max:Wehavethreeverydeadbodieshere… Otherco #1:Veryinteresting.Itsayshereallthreeoftheseguysdiedwiththeircocksbittenoff.Couldbeasmallanimal. Otherco #2:There ortsaysaneel.Aneelondryland?I'veheardoftheultimateblowjobbut,uh,thisistoomuch Max:Obviouslydonebythesame erson.Butwhy?What'shisorhermotive? Otherco #1:Howcanahumanbeingdothis? Otherco #2:Well,veryeasily.Firstyoutaketheir antsoff… (Notethatthisscenewas recededbyotherwise ointlessdialogueabouteatinghotdogs–saynomore…) ThusLadyTerminatorisanenjoyablefilm,inthat"sobadit'sgood"waythatalmosttranscendsrationalanalysis.Itisalsoevident,however,thatthefilm-makersbelievedinwhattheyweredoingand,withoutcondescencion,soughttodothebesttheycould,injectingenergyandstyleintothe roceedingsand uttingtheirmoneyonthescreen.Plus,it'salsoworthrememberinghowTheTerminatordoesn'texactlyalwaysshineinthemake-u andFXde artmentseither,aswiththewayAhnuld'sheadgetsbroaderratherthannarrowerasthefilm rogressesandhisinnerroboticsareex osed,orthat ainfullyobviousmatte aintingofthecomingdesertstormattheend. Itisalsoaninterestingfilm.ThefusionoftraditionalIndonesianmythandwesternscience-fictionmayneverquitecomeoff,butthecollisionofculturesandideasatleast rovides lentyoffoodforthought,withwhatisrelativelychasematerialbycom arisionwithwesterntrashcinemastandards–onethinksofLinaRomay'snotdissimilarfemmecatastricesinJessFranco'sFemaleVam ireandDorianaGreyortheoutright ornoofTheS erimator–butwhichwouldseemtohave ushedtheboundariesasfarastheIndonesianauthortieswereconcerned,withthefilmhavinga arentlybeenbannedintheterritoryatone oint. Yetthetem tationisoftentooveranalyse,asifbyofjustification:OnecouldwellimaginesomegrandLegendoftheSevenGoldenVam iresstylethesiswherebytheanthro ologistbecomesemblematicofwesternim erialism, ur ortingtobeinterestedinunderstandingnativeculturebutreallyonlyim osingherexistingdefinitionsu onitasOther,withher ossessiontherebyasomewhatjustifiableindigenousres onsetothishubris.SuchareadingwouldthendoubtlesscontinuewiththefigureofMaxasinstrumentalindefeatingtheSeaQueeninsavingErikaassym tomaticofa aradoxicalcounter osingstatementtotheeffectthatIndonesianscannotdowithouttheirwesternallies–anddoubtlessthewholethingwouldthenbereadasacodedcritiqueand/orendorsementoftheSuhartoregime,de endingonthes in. Themore rosaictruth,however,issurelythatthe resenceofthewesternerswasfirstandforemostameansofenhancingLadyTerminator'soffice otentialontheex ortmarket–atestamenttoculturalim erialismitself,tobesure,buthardlyonethatrequiresintellectualgymnastics. Andthis,ultimately,ishowandwhyLadyTerminatorworks:It'safilmwhosegoalisto leaseitsdiverseaudiencesandintowhichanythingandeverythingthatmightaccom lishthisaimhasbeenthrown,regardlessofhowwellthoseingredients(andtheirres ectiveaudiences)reallygotogether. Thankfully,thecocktailtastesgood–albeitinabadtasteway–andhasthedesiredstu efyingeffect… htt ://www.kinocite.co.uk/17/1728. h