备注:已完结
类型:韩国电影
主演:Kim Kyeong-ik 尹美卿 Yoon Mi-kyeong Ya
导演:南棋雄
语言:韩语
年代:未知
简介: 陷入的瞬间,毁灭也随之到来韩国版《本能》情色系列《夏娃的诱惑》四部曲之三 恋爱七年结婚的英勋和静林是一对令人艳羡的夫妇英勋是一个成功的摄影师,静林是一个位食品营养师两个人住在宁静的郊外,生活安逸。相恋时的狂热渐渐平息,两人之间的关系更像无话不谈的好朋友。英勋的摄影作品一般以年轻的裸体女子为模特。静林虽然也会担心丈夫是否会和这些女模特发生暧昧,但两人之间始终充满了信任。 某天,和往常一样,英勋在家附近慢跑锻炼,巧遇新搬到此地的一对夫妇。丈夫贤哲表情威严,不可一世,妻子孝珍小心谨慎,不乏畏惧。这对夫妻的微妙关系令旁观的英勋十分好奇。从那以后,英勋无意识地开始通过家里的窗户偷窥邻居孝珍的一举一动,渐渐成瘾。一次偶然的契机下,孝珍夫妇受邀来英勋家做客。敏感无礼的贤哲令静林感到十分不快。 一天,外出散步的英勋和前往寺庙的孝珍同行。英勋被孝珍吸引……两人渐渐陷入一场无法自控的情欲漩涡。与此同时,静林对丈夫也产生了一种不祥的预感,惴惴不安。孝珍也不断受到疑心病困扰的贤哲的百般虐待和折磨。即便如此,仍无法阻碍英勋和孝珍,两人的感情一发不可收拾。但是,他们不得不面对最残酷的现实――蒙在鼓里的静林和贤哲终有一天会知道。
备注:已完结
类型:韩国电影
导演:何藩
语言:粤语
年代:未知
简介: Ann、Lily和Julia是艺训班同学,情同姐妹Ann家境富裕,性格保守,追求完美真爱Lily家境贫穷,性格开放,立志追逐名利,不择手段Julia生性乐天,绰号“傻猪”,是一个开心果。三人毕业后投考演员,结果Lily考取,认识了美术指导Jean。Jean亦是摄影师兼画家,邀Lily拍写真,并与Lily巫山云雨一番。Lily在记者招待会中作风大胆,抢尽女主角镜头。大老板总裁看中了她,将之金屋藏娇,捧为新片女主角。Lily遂与Jean分手。Jean继续找寻新灵感,与Ann感情发展一日千里,最后Ann替他做Model画裸像,二人同居。Lily因属“脱星”,不堪受王总裁之猪朋狗友酒后的奚落侮辱,愤而离席,王总裁遂将新片女主角换人以作惩戒。Lily戈失意打击之余与Jean旧情复燃,为Ann撞破奸情,二人反目。Ann伤心离开了Jean。Jean苦无新灵感创作,偶然发现Julia居然有一种“禁果式的美”,于是将Julia重新包装,脱胎换骨,拍摄了一辑写真,并以Julia的人体作画笔,画了一幅莹光画,其间并与Julia交欢,将艺术与性爱合而为一。但此种关系并不长久,因为Jean又要再追寻新刺激,新灵感夹创作。最后该画揭幕,众相交誉之际,Ann,Lily和Julia三人联袂盛装出现--原来三人经历过人生旅途上种种挫折打击之后,体会到真正的人生,于是重拾友谊,携手步向缤纷前程。
备注:已完结
类型:韩国电影
主演:Sacha Pitoëff Gianni Dei Mariangela
语言:意大利语
年代:未知
简介: 帕特里克是一个年轻人,他的父亲经营一家偏远的水疗中心,他在路边事故中受伤,目前处于昏迷状态几年后,在休赛期,有五个人来到了诊所一个雄心勃勃的政客和他的妻子,一个游泳明星,他是一个富有投资者的儿子,一个说话强硬的男人和女人,他们在一起但睡在单独的房间里他们受到了医生的新助手丽迪雅的迎接,还有两只恶狠狠地吠叫的狗。狗饲养员警告游泳者戴维斯离开。在诊所的一个锁着的部分,帕特里克躺在床上,连着三个昏迷的身体。医生有什么险恶的目的?客人们一个接一个地遇到麻烦。帕特里克有感情吗?
备注:已完结
类型:韩国电影
主演:Tiffany Shepis Masuimi Max Joanna A
语言:英语
年代:未知
简介: InSLUMBERPARTYSLAUGHTERHOUSE:THEGAME,audiencesgetthechanceto uttheirhorrormovietriviaskillstothetestwhilealsohel ingarecentlydeceasedhighschoolgeektakerevengeonhisformerfriends.ThestoryfollowsPaulTard,ageekontheeveofhishighschoolgraduation.Paul'sfriendsarethrowingagraduation artywithhookersanddrugs,but,whentheycomeu onehookershort,Paulisuninvitedtothe arty.
备注:已完结
类型:韩国电影
主演:Barbara Anne Constable Christopher
语言:印尼语
年代:未知
简介: MeettheQueenoftheSouthSeas.Asexuallyvoraciousgoddess,sheluresyoungmentohercastleand,iftheyfailtosatisfyherdemands,killsthemfasterthanyoucansay'vaginadentata',leavingherhandmaidenstodis oseofthecastratedremains… OnenighttheQueenmeetshermatch.Her ria icsuitorsnatchesthesnakethatisthesourceofher owerfrombetweenherthighs–causingittotransformintoakrisfasterthanyoucansay'blatantsymbolism'–anddemandsthatshesubmittobehiswifeascustoma arentlydictates.TheQueen,however,refuses,swearsrevengeontheman'sancestorsand lungesintotheseatocommunewithevil… Fastforward100orsoyearsandweareintroducedtoTanya(KristiannaLoken,erBarbaraAnneConstable),anforeignanthro ologystudentresearchingthelegendoftheSouthSeasQueenforherthesis.Shechartersaboat,goesdivingandinex licablywindsu s readeagledonagiant-sizebedintheQueen'sundersealairtothenbe enetratedbythemagicsnake- hallus. Afewdayslater–theboathavingbeenlostatseainasudden,inex licablestorm–thenow-reincarnatedQueen/TanyarisesfromtheseaA hrodite-like(thoughthat'ssurelyanethnocentricdescri tion;whynotA hroditerosefromtheseaNyaiLoroKidul-likeafterallhethensaysinaboutofself-criticism)anddis osesofacou leofdrunks,therebyequi ingherselfwithtightleathersandsomefirearmswithaseeminglyendlesssu lyofammunition… Fromhereonit's rettymucharehashofTheTerminatorastheSeaQueengoesafterErica,asingerwhoisthedescendantofhersuitor.PolicemanMax(Christo herJ.Hart)andhisbuddiesrescueEricafromadiscomassacre–cuethe"Comewithmeifyouwanttolive"line–andtakehertothestationfor rotection.NaturallyLadyTerminatorarrivesandshootsthe laceu ,butEricaandhernewloveinterestmanagetoesca e.A rotractedseriesofchases,shootoutsandex losionsensueuntil,finally,Maxandco.faceoffagainstthenow-ZombielikeLadyTerminator,com letewitheyesshotinglaserbeams… IsLadyTerminatoragoodfilm?Doyoureallyneedmetosayno?.Onelaughsatthefilmratherthanwithit,whetheritbethefashionsandhairstyles–snowwashedjeansandmulletsanyone?–thero eyeffects;theoverlyintrusiveanddecidedlycheesysynthscore;shoehorninginofTerminator-ismsaswhentheotherwiseall-butindestructibleQueenremovesandthenreinsertsadamagedeye;or–firstamongequals–theoftenludicrous ost-syncheddialogue: Max:Wehavethreeverydeadbodieshere… Otherco #1:Veryinteresting.Itsayshereallthreeoftheseguysdiedwiththeircocksbittenoff.Couldbeasmallanimal. Otherco #2:There ortsaysaneel.Aneelondryland?I'veheardoftheultimateblowjobbut,uh,thisistoomuch Max:Obviouslydonebythesame erson.Butwhy?What'shisorhermotive? Otherco #1:Howcanahumanbeingdothis? Otherco #2:Well,veryeasily.Firstyoutaketheir antsoff… (Notethatthisscenewas recededbyotherwise ointlessdialogueabouteatinghotdogs–saynomore…) ThusLadyTerminatorisanenjoyablefilm,inthat"sobadit'sgood"waythatalmosttranscendsrationalanalysis.Itisalsoevident,however,thatthefilm-makersbelievedinwhattheyweredoingand,withoutcondescencion,soughttodothebesttheycould,injectingenergyandstyleintothe roceedingsand uttingtheirmoneyonthescreen.Plus,it'salsoworthrememberinghowTheTerminatordoesn'texactlyalwaysshineinthemake-u andFXde artmentseither,aswiththewayAhnuld'sheadgetsbroaderratherthannarrowerasthefilm rogressesandhisinnerroboticsareex osed,orthat ainfullyobviousmatte aintingofthecomingdesertstormattheend. Itisalsoaninterestingfilm.ThefusionoftraditionalIndonesianmythandwesternscience-fictionmayneverquitecomeoff,butthecollisionofculturesandideasatleast rovides lentyoffoodforthought,withwhatisrelativelychasematerialbycom arisionwithwesterntrashcinemastandards–onethinksofLinaRomay'snotdissimilarfemmecatastricesinJessFranco'sFemaleVam ireandDorianaGreyortheoutright ornoofTheS erimator–butwhichwouldseemtohave ushedtheboundariesasfarastheIndonesianauthortieswereconcerned,withthefilmhavinga arentlybeenbannedintheterritoryatone oint. Yetthetem tationisoftentooveranalyse,asifbyofjustification:OnecouldwellimaginesomegrandLegendoftheSevenGoldenVam iresstylethesiswherebytheanthro ologistbecomesemblematicofwesternim erialism, ur ortingtobeinterestedinunderstandingnativeculturebutreallyonlyim osingherexistingdefinitionsu onitasOther,withher ossessiontherebyasomewhatjustifiableindigenousres onsetothishubris.SuchareadingwouldthendoubtlesscontinuewiththefigureofMaxasinstrumentalindefeatingtheSeaQueeninsavingErikaassym tomaticofa aradoxicalcounter osingstatementtotheeffectthatIndonesianscannotdowithouttheirwesternallies–anddoubtlessthewholethingwouldthenbereadasacodedcritiqueand/orendorsementoftheSuhartoregime,de endingonthes in. Themore rosaictruth,however,issurelythatthe resenceofthewesternerswasfirstandforemostameansofenhancingLadyTerminator'soffice otentialontheex ortmarket–atestamenttoculturalim erialismitself,tobesure,buthardlyonethatrequiresintellectualgymnastics. Andthis,ultimately,ishowandwhyLadyTerminatorworks:It'safilmwhosegoalisto leaseitsdiverseaudiencesandintowhichanythingandeverythingthatmightaccom lishthisaimhasbeenthrown,regardlessofhowwellthoseingredients(andtheirres ectiveaudiences)reallygotogether. Thankfully,thecocktailtastesgood–albeitinabadtasteway–andhasthedesiredstu efyingeffect… htt ://www.kinocite.co.uk/17/1728. h