备注：已完结
类型：韩国电影
导演：何藩
语言：粤语
年代：未知
简介： Ann、Lily和Julia是艺训班同学，情同姐妹Ann家境富裕，性格保守，追求完美真爱Lily家境贫穷，性格开放，立志追逐名利，不择手段Julia生性乐天，绰号“傻猪”，是一个开心果。三人毕业后投考演员，结果Lily考取，认识了美术指导Jean。Jean亦是摄影师兼画家，邀Lily拍写真，并与Lily巫山云雨一番。Lily在记者招待会中作风大胆，抢尽女主角镜头。大老板总裁看中了她，将之金屋藏娇，捧为新片女主角。Lily遂与Jean分手。Jean继续找寻新灵感，与Ann感情发展一日千里，最后Ann替他做Model画裸像，二人同居。Lily因属“脱星”，不堪受王总裁之猪朋狗友酒后的奚落侮辱，愤而离席，王总裁遂将新片女主角换人以作惩戒。Lily戈失意打击之余与Jean旧情复燃，为Ann撞破奸情，二人反目。Ann伤心离开了Jean。Jean苦无新灵感创作，偶然发现Julia居然有一种“禁果式的美”，于是将Julia重新包装，脱胎换骨，拍摄了一辑写真，并以Julia的人体作画笔，画了一幅莹光画，其间并与Julia交欢，将艺术与性爱合而为一。但此种关系并不长久，因为Jean又要再追寻新刺激，新灵感夹创作。最后该画揭幕，众相交誉之际，Ann，Lily和Julia三人联袂盛装出现－－原来三人经历过人生旅途上种种挫折打击之后，体会到真正的人生，于是重拾友谊，携手步向缤纷前程。
备注：已完结
类型：韩国电影
主演：Sacha Pitoëff Gianni Dei Mariangela
语言：意大利语
年代：未知
简介： 帕特里克是一个年轻人，他的父亲经营一家偏远的水疗中心，他在路边事故中受伤，目前处于昏迷状态几年后，在休赛期，有五个人来到了诊所一个雄心勃勃的政客和他的妻子，一个游泳明星，他是一个富有投资者的儿子，一个说话强硬的男人和女人，他们在一起但睡在单独的房间里他们受到了医生的新助手丽迪雅的迎接，还有两只恶狠狠地吠叫的狗。狗饲养员警告游泳者戴维斯离开。在诊所的一个锁着的部分，帕特里克躺在床上，连着三个昏迷的身体。医生有什么险恶的目的?客人们一个接一个地遇到麻烦。帕特里克有感情吗?
备注：已完结
类型：韩国电影
主演：Tiffany Shepis Masuimi Max Joanna A
语言：英语
年代：未知
简介： InSLUMBERPARTYSLAUGHTERHOUSE:THEGAME,audiencesgetthechanceto uttheirhorrormovietriviaskillstothetestwhilealsohel ingarecentlydeceasedhighschoolgeektakerevengeonhisformerfriends.ThestoryfollowsPaulTard,ageekontheeveofhishighschoolgraduation.Paul'sfriendsarethrowingagraduation artywithhookersanddrugs,but,whentheycomeu onehookershort,Paulisuninvitedtothe arty.
备注：已完结
类型：韩国电影
主演：Barbara Anne Constable Christopher
语言：印尼语
年代：未知
简介： MeettheQueenoftheSouthSeas.Asexuallyvoraciousgoddess,sheluresyoungmentohercastleand,iftheyfailtosatisfyherdemands,killsthemfasterthanyoucansay'vaginadentata',leavingherhandmaidenstodis oseofthecastratedremains… OnenighttheQueenmeetshermatch.Her ria icsuitorsnatchesthesnakethatisthesourceofher owerfrombetweenherthighs–causingittotransformintoakrisfasterthanyoucansay'blatantsymbolism'–anddemandsthatshesubmittobehiswifeascustoma arentlydictates.TheQueen,however,refuses,swearsrevengeontheman'sancestorsand lungesintotheseatocommunewithevil… Fastforward100orsoyearsandweareintroducedtoTanya(KristiannaLoken,erBarbaraAnneConstable),anforeignanthro ologystudentresearchingthelegendoftheSouthSeasQueenforherthesis.Shechartersaboat,goesdivingandinex licablywindsu s readeagledonagiant-sizebedintheQueen'sundersealairtothenbe enetratedbythemagicsnake- hallus. Afewdayslater–theboathavingbeenlostatseainasudden,inex licablestorm–thenow-reincarnatedQueen/TanyarisesfromtheseaA hrodite-like(thoughthat'ssurelyanethnocentricdescri tion;whynotA hroditerosefromtheseaNyaiLoroKidul-likeafterallhethensaysinaboutofself-criticism)anddis osesofacou leofdrunks,therebyequi ingherselfwithtightleathersandsomefirearmswithaseeminglyendlesssu lyofammunition… Fromhereonit's rettymucharehashofTheTerminatorastheSeaQueengoesafterErica,asingerwhoisthedescendantofhersuitor.PolicemanMax(Christo herJ.Hart)andhisbuddiesrescueEricafromadiscomassacre–cuethe"Comewithmeifyouwanttolive"line–andtakehertothestationfor rotection.NaturallyLadyTerminatorarrivesandshootsthe laceu ,butEricaandhernewloveinterestmanagetoesca e.A rotractedseriesofchases,shootoutsandex losionsensueuntil,finally,Maxandco.faceoffagainstthenow-ZombielikeLadyTerminator,com letewitheyesshotinglaserbeams… IsLadyTerminatoragoodfilm?Doyoureallyneedmetosayno?.Onelaughsatthefilmratherthanwithit,whetheritbethefashionsandhairstyles–snowwashedjeansandmulletsanyone?–thero eyeffects;theoverlyintrusiveanddecidedlycheesysynthscore;shoehorninginofTerminator-ismsaswhentheotherwiseall-butindestructibleQueenremovesandthenreinsertsadamagedeye;or–firstamongequals–theoftenludicrous ost-syncheddialogue: Max:Wehavethreeverydeadbodieshere… Otherco #1:Veryinteresting.Itsayshereallthreeoftheseguysdiedwiththeircocksbittenoff.Couldbeasmallanimal. Otherco #2:There ortsaysaneel.Aneelondryland?I'veheardoftheultimateblowjobbut,uh,thisistoomuch Max:Obviouslydonebythesame erson.Butwhy?What'shisorhermotive? Otherco #1:Howcanahumanbeingdothis? Otherco #2:Well,veryeasily.Firstyoutaketheir antsoff… (Notethatthisscenewas recededbyotherwise ointlessdialogueabouteatinghotdogs–saynomore…) ThusLadyTerminatorisanenjoyablefilm,inthat"sobadit'sgood"waythatalmosttranscendsrationalanalysis.Itisalsoevident,however,thatthefilm-makersbelievedinwhattheyweredoingand,withoutcondescencion,soughttodothebesttheycould,injectingenergyandstyleintothe roceedingsand uttingtheirmoneyonthescreen.Plus,it'salsoworthrememberinghowTheTerminatordoesn'texactlyalwaysshineinthemake-u andFXde artmentseither,aswiththewayAhnuld'sheadgetsbroaderratherthannarrowerasthefilm rogressesandhisinnerroboticsareex osed,orthat ainfullyobviousmatte aintingofthecomingdesertstormattheend. Itisalsoaninterestingfilm.ThefusionoftraditionalIndonesianmythandwesternscience-fictionmayneverquitecomeoff,butthecollisionofculturesandideasatleast rovides lentyoffoodforthought,withwhatisrelativelychasematerialbycom arisionwithwesterntrashcinemastandards–onethinksofLinaRomay'snotdissimilarfemmecatastricesinJessFranco'sFemaleVam ireandDorianaGreyortheoutright ornoofTheS erimator–butwhichwouldseemtohave ushedtheboundariesasfarastheIndonesianauthortieswereconcerned,withthefilmhavinga arentlybeenbannedintheterritoryatone oint. Yetthetem tationisoftentooveranalyse,asifbyofjustification:OnecouldwellimaginesomegrandLegendoftheSevenGoldenVam iresstylethesiswherebytheanthro ologistbecomesemblematicofwesternim erialism, ur ortingtobeinterestedinunderstandingnativeculturebutreallyonlyim osingherexistingdefinitionsu onitasOther,withher ossessiontherebyasomewhatjustifiableindigenousres onsetothishubris.SuchareadingwouldthendoubtlesscontinuewiththefigureofMaxasinstrumentalindefeatingtheSeaQueeninsavingErikaassym tomaticofa aradoxicalcounter osingstatementtotheeffectthatIndonesianscannotdowithouttheirwesternallies–anddoubtlessthewholethingwouldthenbereadasacodedcritiqueand/orendorsementoftheSuhartoregime,de endingonthes in. Themore rosaictruth,however,issurelythatthe resenceofthewesternerswasfirstandforemostameansofenhancingLadyTerminator'soffice otentialontheex ortmarket–atestamenttoculturalim erialismitself,tobesure,buthardlyonethatrequiresintellectualgymnastics. Andthis,ultimately,ishowandwhyLadyTerminatorworks:It'safilmwhosegoalisto leaseitsdiverseaudiencesandintowhichanythingandeverythingthatmightaccom lishthisaimhasbeenthrown,regardlessofhowwellthoseingredients(andtheirres ectiveaudiences)reallygotogether. Thankfully,thecocktailtastesgood–albeitinabadtasteway–andhasthedesiredstu efyingeffect… htt ://www.kinocite.co.uk/17/1728. h
