备注：已完结
类型：喜剧电影
主演：凯文·哈特 伍迪·哈里森 凯莉·库柯 贾思敏·马修斯 艾伦·巴金 莱拉
导演：帕特里克·休斯
语言：英语
年代：未知
简介：伍迪·哈里森代替了杰森·斯坦森，将与凯文·哈特一起主演动作喜剧新片《多伦多来的男人》(Man From Toronto)。此前片方索尼在谈哈特+斯坦森，不过后者在一周前退出，因为他坚持该片要拍成R级，而索尼拒绝，希望有更广泛的观众。如今哈里森已签约，而该片此前定档今年11月20日北美上映，本来时间就比较紧，如今经历了换人，拍摄更紧迫了。 《多伦多来的男人》由《王牌保镖》导演帕特里克·休斯执导，主角是一个外号叫“多伦多来的男人”的世界最强杀手，和一个纽约来的冒失鬼，两人在一间Airbnb民宿相遇，阴差阳错搞错身份，并一起被致命杀手追杀。
备注：已完结
类型：喜剧电影
主演：JackCullison JasonLockhart KaylaCol
语言：英语
年代：未知
简介： ◎片&ems ;&ems ;名&nbs ;AllAmericanBikiniCarWas◎译&ems ;&ems ;名&nbs ;全美洗车女郎/全美奶霸洗车行◎年&ems ;&ems ;代&nbs ;2015◎国&ems ;&ems ;家&nbs ;美国◎电影类型&nbs ;喜剧◎语&ems ;&ems ;言&nbs ;英语◎字&ems ;&ems ;幕&nbs ;中英双字◎上映日期&nbs ;2015-08-29◎iMDB评分&nbs ;3.5/10(240votes)◎片&ems ;&ems ;长&nbs ;1h:35m:22s◎导&ems ;&ems ;演&nbs ;NimrodZalmanowitz◎编&ems ;&ems ;剧&nbs ;PatrickRodio◎演&ems ;&ems ;员&nbs ;JackCullison&ems ;&ems ;&ems ;&ems ;&ems ;&nbs ;JasonLockhart&ems ;&ems ;&ems ;&ems ;&ems ;&nbs ;KaylaCollins&ems ;&ems ;&ems ;&ems ;&ems ;&nbs ;明迪·罗宾逊MindyRobinson&ems ;&ems ;&ems ;&ems ;&ems ;&nbs ;艾丽卡·乔丹ErikaJordan&ems ;&ems ;&ems ;&ems ;&ems ;&nbs ;AshleyPark&ems ;&ems ;&ems ;&ems ;&ems ;&nbs ;ScarletRed&ems ;&ems ;&ems ;&ems ;&ems ;&nbs ;EmmaLane ◎简&ems ;&ems ;介 成续强差人意的积，大学可能毕业不了，教授给他一个翻身的机会—如果能经营洗车店一星期并赚钱，就当过关。积找老友帮忙，绞尽脑汁想出绝世好方法，就是开一家比坚尼洗车店。他们的主意满足了所有男人的幻想：一群性感索女在洗各款名车，如法拉利、林宝坚尼！但积可以沟到心目中的女神吗？ 全美洗车女郎电影网友评论：< class="com">最让人凌乱的是片尾男主他爸和男主的老师两人的转变。他们上一秒还在谴责男主一票人脱衣洗车伤风败俗，不堪入目，下一秒看到一支车队进来妹纸们穿着比基尼扭腰摆臀洗着车，顿时就和平接受了男主开辣妹洗车房的事实，他们俩那宽慰的眼神好像在说：不管是脱衣还是卖肉，能赚钱就是好孩子。 < style="text-align:center;"> < class="com">看过不少情色烂片，这次终于也轮到美国本土制造了。这部片两星真的不能再多了，一开始看比基尼洗车觉得还挺新颖，结果看到结尾才发现这几个女演员从头到尾就只有那么几个一样的动作，这谁看的下去？而且说实话美国对于情色的表现形式和对女演员的选择上还是和国内有着不少的差异。 < style="text-align:center;"> < class="com">幽默的喜剧和语言，可以带来欢笑。而视觉盛宴冲击着人的欲望，而不是强有理的无趣堆砌。比基尼洗车也好，洗浴中心也好，享受的是视觉和欲望。这并不冲突，虽说和道德背道而驰，但这就是消费，是真实的而不做作。只是这样，更为展现人性之本。 < style="text-align:center;"> < class="com">真是挺差的，但能感受到团队的用心，即使才华所限经费所限，感觉也比国内某些大制作青春片有诚意。即，不管成品如何，态度起码是端正的。而国内青春片就是无脑烧钱而已。PS那个疯疯癫癫的马文好丑，好disgusting。 < style="text-align:center;"> < class="com">纯粹三级片！剧情基本没有，满屏都是身材火爆的女郎搔首弄姿！而且传达了一个很现实的理念：有钱，就有车子、妹子！开得起豪车，给得起小费，泡的起辣妹！感叹：豆瓣真是好东西！ < style="text-align:center;"> < class="com">看一半觉得拍这个电影的人是傻逼，看完了觉得非要坚持看完的我是傻逼。有两个女的胸和脸都假的太明显了，有个黑人大姐丑哭，其他都还不错。可能能参演这种电影是G姐们的梦想喽 < style="text-align:center;"> < class="com">说是A片吧，也没什么特别的，说不是吧，也确实有点哪样的镜头，不过，怎么说呢，这也算是一个创意吧！主要是这里面的实在没有一个有演技！ < class="com">这部影片就像是一群在好莱坞试镜失败的演员和失业的导演凑钱拍出的电影，他们用自己的实际行动告诉别人，他们真的毫无才华。 < class="com">工科生的硬盘也只能翻出这种的英文电影了。其实本来可以创新的情节设定被拍成了循环的露奶显身材，打三星完全是给tori < class="com">如果拍成美剧是否更好一点，只有我觉得这片拍得还不错么，多纯的电影啊，学生兼职洗车又能赚外块又能释放荷尔蒙 < class="com">居然比想象中要好明显的青春剧虽然成本很低场景很少但感觉演员都挺卖力的通过小动作和眼神也能看得出演技 < class="com">我以为是美国的情色电影，是不是期望越高失望越高，剧中的女性是不是硬拽来应聘的，太差了～～太差～～
备注：已完结
类型：动作电影
主演：查德·科林斯ChadCollins 汤姆·贝伦杰 多米尼克·马夫海姆
导演：唐·迈克尔·保罗
语言：英语
年代：未知
简介：一个流氓刺客正在军事领导人布兰登得到消息说,他的父亲就是其中之一他试图追查凶手,发现爸爸不是死亡,意识到他的上级军官正在使用他作为诱饵来追踪杀手。
备注：已完结
类型：剧情电影
主演：Bob Dylan Joan Baez Judy Collins
语言：
年代：未知
简介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
备注：已完结
类型：剧情电影
主演：汤姆·克鲁斯 瑞贝卡·德·莫妮 乔·潘托里亚诺 理查德·马苏尔 布隆森
导演：保罗·布里克曼
语言：英语,德语
年代：未知
简介： 高中生乔（汤姆·克鲁斯TomCruise饰）为学业所困扰，连春梦往往也以考试迟到作为结束，成绩不佳令他的大学前景堪忧，中产阶级父母则为他联系了普林斯顿大学的面试。在父母外出期间，乔与朋友们筹划赚钱项目，又因一场恶作剧阴差阳错结识了应召女郎拉娜，拉娜给予乔温存，却又把他卷入了一系列麻烦：家中失窃、皮条客驾车追逐……令乔焦头烂额，但在这诸多意外之中，乔与拉娜愈发亲密，并最终同意了拉娜的主意——在家中举办派对，通过为年轻人介绍应召女郎抽水盈利。于是家中无父母，屋宅变欢场，夜夜笙歌之时，普林斯顿大学的面试官突然到访，乔仓促应对，未知大学前途究竟如何
