备注:已完结
类型:韩国电影
主演:热拉尔·朗万 维吉妮·拉朵嫣 卡洛尔·布盖 吉约姆·卡内 Auréli
导演:皮埃尔·若利韦
语言:法语
年代:未知
简介: 一个落魄的少女,打开一个名利双收的律师的办公室两个天南地北的世界,就此撞击在一起这两个世界步调不同、听的音乐不同、在不同的时间睡觉、做不同的梦但是对爱情的感觉,却毫无轩轾 他们第一次见面时,这个少女对他说:「这里有铜臭味,你根本不知道外面的情况」对於来自街头、在街头长大的米榭来说,这句话非常震撼。他发现自己完全变了。已婚男人米榭,过着舒适的中产阶级生活,这一切却在遇见少女赛西儿後,完全被推翻。这个46岁、事业正值巅峰状态的律师,遇见这个来自巴黎郊区的女孩,她和他19岁的时候一模一样。就在这一瞬间,他一直在逃避他的过去,也一直没有成功到能将过去抛在脑後。米榭所赌的,不只是少女那双美丽的眼睛。米榭有一个漂亮的老婆,他身边并不缺乏美色。但是赛西儿闯进他的生命後,对於他所失去的一切,他突然有了顿悟,她就像遭双亲遗弃的小孩,不断与社会抗衡,却无法操纵社会,她只知道爱与折磨,赛西儿既是天使,也是魔鬼。於是他沈溺了,甘愿受折磨.
备注:已完结
类型:韩国电影
主演:乔·达里桑德罗 杰克·拉拉尼 Daniel MacIvor
导演:汤姆·菲茨杰拉德
语言:英语
年代:未知
简介: Thisfilmlooksatthe1950'smusclemen'smagazinesandthere resentativeindustrythatwere o ularsu osedlyashealthandfitnessmagazines,butwereinreality rimarilybeing urchasedbythestillundergroundhomosexualcommunity.Chiefamongthe urveyorsofthisliteraturewasBobMizer(DanielMacIvor),whomaintainedamagazineanddevelo edsexuallyinex licitmen'sfilmsforover40years.Aidedbyhismother(CarrollGodsman),thetwomaintainedastableofnotsoinnocentstuds.Attheend,thefilmmovesintoacourtroomdramaasMizeristriedforrunningamale- rostituteringintheearly60's.Cli sofMizer'sactualfilmsstarringindividuals,suchasJackLaLanneandJoeDallesandro,areincluded.
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类型:韩国电影
主演:Jacqueline Lovell
语言:英语
年代:未知
简介: Lolitaisarebelandshe'sgoingtosharetoourwideo eneyessomelittlesexstories,betweensci-fiandfantasy... Intheverynearfuture,sexisillegal.Lolidaisres onsiblefordestroyinganymaterialsthathavebeendeemedunacce table.Butthree"stories"havechangedherlifeforever.Excitedbyherdiscovery,Lolidabecomesasexualrebelandbroadcaststheseeroticadventuresthroughouttheuniverse,whilesatisfyingherownforbiddendesires.
备注:已完结
类型:韩国电影
主演:James Dreyfus Mark Sands Andrew Abl
语言:英语
年代:未知
简介: 复杂的世界,简单的生活 欲望,情感和承诺似乎总是在两个人之间狭小的的空间里挣扎着,纠缠着 束缚,解脱,无论是年轻的狂野还是年长的不甘寂寞,我们似乎总是不满于任何互相作出的承诺 孤独终老的恐惧,花天酒地的虚无,老夫老妻的倦怠。 我们一样有着那些直人们需要面对的情感问题。 我想说这部电影是乐观的,带着一点小小的天真般的乐观,有情人终成眷属,花花公子被弃街头。整部片子带着英伦独有的浪漫与宽容,导演把精力都投入到了gay之间的恋爱问题上了,丝毫没有涉及权益或者歧视之类的沉重话题。在影片速度,配乐,颜色的处理上看出了导演对于营造一个舒适温馨的环境的用心。对于喜欢在悠闲的午后拥着抱枕或是你的他一起看电影的人们尽可以放心的欣赏。没有老掉牙的煽情,整部片子更像是在做一道数学题,充满了某种意义上的逻辑与推理。 想要看些激情镜头的人们大可节约下您的时间,片子里的性爱镜头处理的非常委婉,而,恕我多言,几位主角无论是脸蛋还是身材都远远不能和模特相比较。剧情相对来讲还是比较复杂的,但导演的手法比较幼稚,并没有给人一种错综纠葛的感觉,还是有很大的提升空间的。对于演员的演技我需要先给各位预警,有一两个演员实在是令人失望,纠结而激烈的情感在他嘴里只剩下了台词。但如果您的眼睛没有那么挑剔,可能也不会留意到我的这些抱怨了。 总的来说,对于那些已经没有过11月11号的光棍节好几年的人来说,这部电影属于必看的范畴,或许主人公们遇到的问题能给你些启示。 对于心野野的人们,看看也无妨,只要别嘲笑里面几个主人公的人生观就好。 期待着你分享更多关于这部电影的点滴。
备注:已完结
类型:韩国电影
主演:Raven Selena Steele Rocco Siffredi
语言:英语
年代:未知
简介: 預覽簡介:Thecity.Asha elyshadowstalkstherain-soakedstreetsforsexual rey.Hera etiteisinsatiable,herdesiressavage.Andinaworldofmeremortals,hertimehasfinallycome.SelenaSteeleisthequeenofthisconcretejungleinataleofrawlustandanimal assions...ThisistheonlyAshlyNicolevideo.Adultstarsalsomakingtheirdebutinthisvideo:DerekLane.
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类型:韩国电影
主演:Madeleine Reynal Fox Harris Laura A
语言:英语
年代:未知
简介: 斯帝芬.塞亚迪安是美国80年代著名的B级片电影大师,在美国与约翰.沃特斯和罗斯.梅耶尔并列齐名,可由于他的作品很少而且自92年后就再也没拍片了,所以名气上已无法和那两位相比本片是斯帝芬.塞亚迪安最著名的作品,与其他两位的电影风格不同的是,塞亚迪安的B级片除了有对性的描写外,还有强烈的超现实风格,他从不在户外取景拍摄,所有场景均在摄影棚里搭幕完成,这使得他的电影有很强的舞台剧和室内肥皂剧风格,剧情以奇幻为主,演员的表演也是夸张疯狂,服装五颜六色,据说本片是受德国经典表现主义影片《卡里古拉博士的小屋》的启发而来,所以角色的服饰化装以及舞台的布景等各方面都带有明显的表现主义风格,而影片内容又完全与原作不同,是一部重点表现恐怖事物和性的低成本B级影片,这就使得全片成了一锅大杂绘,怪诞奇异的人物和场景层出不穷,情节也是杂七杂八,稀奇古怪,很难一下子说清,但却毫不影响其成为80年代美国的最后一部B级Cult片经典
备注:已完结
类型:韩国电影
主演:Ron Palillo Abigail Wolcott Carel T
语言:英语
年代:未知
简介: Amotorcyclegangkidna sayoungwoman,Josie,fromadinerandbrutallykillsher.Manyyearslater,thegirl'sfatherfindsamagiccrystalthatcanbringthelifebacktodeadobjects.Heusesittore-animatehisdaughter.Heletsherseduceanyyoungmanthatcomestovisitthesmalltownandthenkillsthem.Fouryoungstudents,twoboysandtwogirlss endavacationnearthetown,Hellgate.Theyhearaboutthestoryandgetinvolved.
备注:已完结
类型:韩国电影
主演:Barbara Anne Constable Christopher
语言:印尼语
年代:未知
简介: MeettheQueenoftheSouthSeas.Asexuallyvoraciousgoddess,sheluresyoungmentohercastleand,iftheyfailtosatisfyherdemands,killsthemfasterthanyoucansay'vaginadentata',leavingherhandmaidenstodis oseofthecastratedremains… OnenighttheQueenmeetshermatch.Her ria icsuitorsnatchesthesnakethatisthesourceofher owerfrombetweenherthighs–causingittotransformintoakrisfasterthanyoucansay'blatantsymbolism'–anddemandsthatshesubmittobehiswifeascustoma arentlydictates.TheQueen,however,refuses,swearsrevengeontheman'sancestorsand lungesintotheseatocommunewithevil… Fastforward100orsoyearsandweareintroducedtoTanya(KristiannaLoken,erBarbaraAnneConstable),anforeignanthro ologystudentresearchingthelegendoftheSouthSeasQueenforherthesis.Shechartersaboat,goesdivingandinex licablywindsu s readeagledonagiant-sizebedintheQueen'sundersealairtothenbe enetratedbythemagicsnake- hallus. Afewdayslater–theboathavingbeenlostatseainasudden,inex licablestorm–thenow-reincarnatedQueen/TanyarisesfromtheseaA hrodite-like(thoughthat'ssurelyanethnocentricdescri tion;whynotA hroditerosefromtheseaNyaiLoroKidul-likeafterallhethensaysinaboutofself-criticism)anddis osesofacou leofdrunks,therebyequi ingherselfwithtightleathersandsomefirearmswithaseeminglyendlesssu lyofammunition… Fromhereonit's rettymucharehashofTheTerminatorastheSeaQueengoesafterErica,asingerwhoisthedescendantofhersuitor.PolicemanMax(Christo herJ.Hart)andhisbuddiesrescueEricafromadiscomassacre–cuethe"Comewithmeifyouwanttolive"line–andtakehertothestationfor rotection.NaturallyLadyTerminatorarrivesandshootsthe laceu ,butEricaandhernewloveinterestmanagetoesca e.A rotractedseriesofchases,shootoutsandex losionsensueuntil,finally,Maxandco.faceoffagainstthenow-ZombielikeLadyTerminator,com letewitheyesshotinglaserbeams… IsLadyTerminatoragoodfilm?Doyoureallyneedmetosayno?.Onelaughsatthefilmratherthanwithit,whetheritbethefashionsandhairstyles–snowwashedjeansandmulletsanyone?–thero eyeffects;theoverlyintrusiveanddecidedlycheesysynthscore;shoehorninginofTerminator-ismsaswhentheotherwiseall-butindestructibleQueenremovesandthenreinsertsadamagedeye;or–firstamongequals–theoftenludicrous ost-syncheddialogue: Max:Wehavethreeverydeadbodieshere… Otherco #1:Veryinteresting.Itsayshereallthreeoftheseguysdiedwiththeircocksbittenoff.Couldbeasmallanimal. Otherco #2:There ortsaysaneel.Aneelondryland?I'veheardoftheultimateblowjobbut,uh,thisistoomuch Max:Obviouslydonebythesame erson.Butwhy?What'shisorhermotive? Otherco #1:Howcanahumanbeingdothis? Otherco #2:Well,veryeasily.Firstyoutaketheir antsoff… (Notethatthisscenewas recededbyotherwise ointlessdialogueabouteatinghotdogs–saynomore…) ThusLadyTerminatorisanenjoyablefilm,inthat"sobadit'sgood"waythatalmosttranscendsrationalanalysis.Itisalsoevident,however,thatthefilm-makersbelievedinwhattheyweredoingand,withoutcondescencion,soughttodothebesttheycould,injectingenergyandstyleintothe roceedingsand uttingtheirmoneyonthescreen.Plus,it'salsoworthrememberinghowTheTerminatordoesn'texactlyalwaysshineinthemake-u andFXde artmentseither,aswiththewayAhnuld'sheadgetsbroaderratherthannarrowerasthefilm rogressesandhisinnerroboticsareex osed,orthat ainfullyobviousmatte aintingofthecomingdesertstormattheend. Itisalsoaninterestingfilm.ThefusionoftraditionalIndonesianmythandwesternscience-fictionmayneverquitecomeoff,butthecollisionofculturesandideasatleast rovides lentyoffoodforthought,withwhatisrelativelychasematerialbycom arisionwithwesterntrashcinemastandards–onethinksofLinaRomay'snotdissimilarfemmecatastricesinJessFranco'sFemaleVam ireandDorianaGreyortheoutright ornoofTheS erimator–butwhichwouldseemtohave ushedtheboundariesasfarastheIndonesianauthortieswereconcerned,withthefilmhavinga arentlybeenbannedintheterritoryatone oint. Yetthetem tationisoftentooveranalyse,asifbyofjustification:OnecouldwellimaginesomegrandLegendoftheSevenGoldenVam iresstylethesiswherebytheanthro ologistbecomesemblematicofwesternim erialism, ur ortingtobeinterestedinunderstandingnativeculturebutreallyonlyim osingherexistingdefinitionsu onitasOther,withher ossessiontherebyasomewhatjustifiableindigenousres onsetothishubris.SuchareadingwouldthendoubtlesscontinuewiththefigureofMaxasinstrumentalindefeatingtheSeaQueeninsavingErikaassym tomaticofa aradoxicalcounter osingstatementtotheeffectthatIndonesianscannotdowithouttheirwesternallies–anddoubtlessthewholethingwouldthenbereadasacodedcritiqueand/orendorsementoftheSuhartoregime,de endingonthes in. Themore rosaictruth,however,issurelythatthe resenceofthewesternerswasfirstandforemostameansofenhancingLadyTerminator'soffice otentialontheex ortmarket–atestamenttoculturalim erialismitself,tobesure,buthardlyonethatrequiresintellectualgymnastics. Andthis,ultimately,ishowandwhyLadyTerminatorworks:It'safilmwhosegoalisto leaseitsdiverseaudiencesandintowhichanythingandeverythingthatmightaccom lishthisaimhasbeenthrown,regardlessofhowwellthoseingredients(andtheirres ectiveaudiences)reallygotogether. Thankfully,thecocktailtastesgood–albeitinabadtasteway–andhasthedesiredstu efyingeffect… htt ://www.kinocite.co.uk/17/1728. h