备注:已完结
类型:剧情电影
主演:GianlucaDiGennaro CarmineRecano Art
语言:意大利语
年代:未知
简介: 主演:GianlucaDiGennaro/CarmineRecano/ArturoPagli导演:AndreaFrazzi/AntonioFrazzi语言:意大利语地区:意大利编剧:类型:剧情/犯罪上映时间:2005-08-27 别名:AChildren'sStory/StolenChildhood用户标签:意大利,青春,犯罪,2004,意大利电影,经典,青春/成长,2000s片长:94分钟imdb编号:tt0414891 11岁的孤儿罗萨里欧在那不勒斯的街头与贫民窟游荡。为了生存,他每天都必须面对残酷的争斗,从不知道世界上还有爱的存在。当然,他很快落入到一个从事恐怖活动的秘密团体里。组织头头给他灌输许多残暴不仁的想法。有一天,他被派去执行一项“特殊任务”:他将乘上地铁,驶往一个不知终点的目的地……
Lespremierspasducinéma-Unrêveencouleur
备注:已完结
类型:剧情电影
主演:PaoloCherchiUsai GianLucaFarinelli
导演:EricLange
语言:法语
年代:未知
简介: 主演:PaoloCherchiUsai/GianLucaFarinelli/MauriceGianati/Ste henHerbert/AnthonyL'Abbate/GillesTrarieuxLumière/DominiquePaïn导演:EricLange语言:法语地区:法国编剧:SergeBromberg类型:纪录片上映时间: 别名:DiscoveringCinema:MoviesDreaminColor用户标签:2000s,SergeBromberg,◎2000s,法国片长:52分钟imdb编号:tt0498703 Althoughmotion icturesemergedinthe1890s,theywereforthemost artinblackandwhite,anddidn'thavesound,kee ingthemquiteabitshortfrombeingthetruesimulcarumoflifetheyas iredtobe.Numerousinventorsandentre reneursovertheyearsattem tedtocreatesynchronizedsoundandlifelikecolor resentationsoftheirfilms,butitwasn'tuntilthelate1920sandthemid1930sthattheyactuallymanagedtoreliablydoso.This airofdocumentariesbyEricLangeandSergeBrombergtracesthehistoryofsoundandcolorinthemoviesfromtheearliestdaystomaturity. LearningtoTalk(2003)looksattheaudiodimension,fromtheearliestdaysofsoundrecording,unrelatedtomotion ictures.Theearliesterasfeaturethestandardsilentliveaccom animent,withvariousingeniousadditionssuchasas ecifiedlivesingerorsoundeffects erformedatthea ro riatemoments,ortheNotofilm,whichranthemelodylineoftheintendedscoreacrossthebottomofthescreentoguidea erformer.ButwithEdison'sinventionofthe honogra h,itwasclearthatrecordingofsomekindwouldbethefuture.The roblemwashowtosynchronizethesoundwiththe ictures,thoughEdisonmanagedsome rimitiveachievementsinthisareaasearlyas1902. Thereweretwoduelingformatsofsound,oneutilizingdisc(whichwouldevolveintotheVitagra hsoundsystem,usedbyTheJazzSinger),andtheo ticalformatusedbytheFoxMovietoneshorts,andwhichwouldeventuallytrium hasthemethodofchoiceforsoundfilms.Thenarrativeisreasonablyclear,althoughitdoestendtomeanderabitfromto ictoto ic.Becausethereweresomanycom etingformats,however,thata roachis robablyunavoidable.Thedocumentaryde ictsmostoftheseversionsinqualityexcer ts,withcli sthatdemonstratethesystemsandtheirlimitationswithclarity. Theaccom anyingdocumentary,MoviesDreaminColor(2004),similarlytrackstheevolutionofcolorfrom ainstakinghand- aintingofindividualframestothegorgeousresultsofthree-stri Technicolorinthe1930s.Beforecolorcouldbere resenteddirectlyonfilmas hotogra hed,agreatmanydeadendswereattem ted,suchasKinemacolor,whichgetssur risinglyeffectiveresultsfromalternatingredandgreenframeswiththea ro riatefilters.There'salsoagooddescri tionofthetintingandtoning rocesses,clarifyingtheoftenconfusingdifferencesand ointingoutthatbothcouldbeusedatonce,de endingonthefilm. Evenwhenthereisadeterminationtohavefilm-basedcolor,thea roachwasnotclear.Mostabortiveattem tsusedanadditive rocess,layeringcolorstoanim racticalextent.Itwasn'tuntilquiteabitlaterthatasubtractivefiltering rocesswasarrivedattosim lifythecolor hotogra hysystem.Eventhen,therewereanumberofdifficultiesbeforeTechnicolorwasreadytotaketheworldbystorm.Andthedifferencesincolorqualityarecertainlystrikingenough;thes ecimensarehighlyvariableintheireffectiveness,thoughmanyofthe rimitiveversionsaresur risinglycolorful.Thetwodocumentariestogethertellataleofstruggletoarriveatverisimilitude,andthey'rewelldone.TheoneobjectionIhaveisthatasignificantchunkofboth,dealingwiththeearlymagiclanternera,utilizesthesameexam les,andthey'rethusabitre etitivewhenseentogether. DVDReview