备注：已完结
类型：剧情电影
主演：斯坦利·图齐 艾狄森·蒂姆林 凯拉·塞吉维克 詹妮安·加罗法洛 里特奇
语言：英语
年代：未知
简介： 主演：斯坦利·图齐/艾狄森·蒂姆林/凯拉·塞吉维克/詹妮安·加罗法洛/里特奇·科斯特/ColbyMinifie/AlisonBartlett/亨利·斯特拉导演：RichardLevine语言：英语地区:美国编剧：RichardLevine/FrancineProse类型：剧情上映时间：2017-10-13(伍德斯托克电影节)/2018-03-09(美国部分上映) 别名：BlueAngel用户标签：美国,剧情,人性,2018,美国电影,电影,StanleyTucci,爱情片长：106分钟imdb编号：tt2707810 斯坦利·图齐饰演一位已婚大学教授，爱迪生·蒂姆林饰演其门下写作天赋非常厉害的女学生，在一对一的写作教学中两人逐渐对彼此心生爱意，一段不可避免的“师生恋”就此展开。电影由理查德·莱文执导，詹妮安·加罗法洛、里奇·科斯特、科尔·比米尼菲等人参演。 归顺电影网友评论：< class="com">俗话说苍蝇不叮无缝的蛋，问题是这世界上哪有真正无缝的蛋啊，蛋都是脆弱又不堪一击的。年轻女学生又有点文学气质，对生活略显沉闷缺少波澜过于稳定的中年男教师来说。无论是肉体思想还是文学的火花，都会让蛋开始产生裂缝。但是按照女主的文笔和天赋，自己好好写书去找编辑和出版社投稿就好了吧。何必要去用色相诱惑一个并不算太有成就的业余作家？再假手他去联系编辑？未免有点绕弯路纯属多余。 < style="text-align:center;"> < class="com">这片子浮光掠影的看，等同于没看。去特码的性骚扰和中年危机。全片真正的主角其实是一本书eggs，和另一本隐晦的《蓝色天使》，其他的不过是包装一下，让淫者见淫而已。还记得男主的创意写作课吗？学生们为啥要写血腥刺激或者黄暴的内容？又及：文学经纪人这职业还是挺重要的。 < style="text-align:center;"> < class="com">一个是为了年轻的肉体跟学生上床的教授，一个是为了出书成名跟老师睡觉的学生，可笑的是他们都打着爱情的幌子行事。当撕下遮羞布，教授变成了性侵女生的禽兽。学生变成了机关算尽的碧池。在性侵这个问题上，女人总是弱者。在诬告性侵这个问题上，男人也总是百口莫辩。 < style="text-align:center;"> < class="com">中年危机这一主题也是老生常谈了。年轻的bitch学生会套路得像个老司机，当然苍蝇不叮无缝的蛋，还是怪自己没有把持住。影片前半部分虚实结合做的不错，能勾起观众的窥探欲。PS好莱坞叔圈101，图齐大叔是我的 ick之一 < class="com">片子结构还可以，虽然是老套的中年危机，后面的反转有点创意。演员表演中规中矩，节奏没有变化，冲击力不够。感觉编剧比较弱，上创意写作课程的学生，最喜欢的书居然是简爱，就可想而知了。 < class="com">一头秀发的坦叔真是秀色可餐，最后10分钟才有了那么点儿反METOO逆势而上的性侵害受害者思考架势，奈何前有水果硬糖后有狩猎，最后也就化作了一个烂到掉渣的中年危机梗上了。 < class="com">挺应景的，当此metoo之际，不过是另一个角度：心机婊女生设计了江郎才尽的中年男教授。不过也不要为他叫屈，心底有非分之想的吧。男老师们都应该看一看，不得不防啊。 < class="com">美国校园版《手机》。当有人对你过分热情的时候，好好想想，你有什么值得他（她）这样？他（她）想从你这里得到什么？自己能不能给？这些都想明白了，再对他（她）摆笑脸。 < class="com">不同于中年危机的出轨，但基本都是女生上位的套路，而且女生越来越老道，精于算计，老男人则是顾虑重重，最后把自己玩死，但也是重生的开始吧。给8分。 < class="com">就是一装B电影。文艺的氛围，清新的气氛，恶心的话题，肮脏的思想，完美诠释什么是装B，于谦说过一句话，说的这么高雅，感情是一对臭流氓！ < class="com">师生恋的故事处理的很文艺，实际上是更YY一些，很有逼格，更有节操，三观很正的人性欲望的思考，夹杂了很多有趣味的话题 < class="com">男主过于自大地毁了属于自己的一切，一些隐喻没有看很懂。
备注：已完结
类型：剧情电影
主演：萨姆·德·格拉斯 Francelia Billington 埃里克·冯
导演：埃里克·冯·施特罗海姆
语言：英语
年代：未知
简介： Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"? The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
备注：已完结
类型：剧情电影
主演：莎诺·伊丽莎白 凯利·毕晓普 斯蒂夫·古根伯格 马修·德尔·内格罗 M
语言：英语
年代：未知
简介： 虚幻罗曼史又名恋爱小说 讲述 年轻漂亮的小学教师玛丽（Caroline Ducey 凯瑟琳·杜希 饰）与相识三个月的男友保罗（Sagamore Stévenin 萨加莫尔·史蒂文 饰）同居，虽然保罗口口声声说深爱玛丽，却从不与她做爱。纵然玛丽极尽挑逗之能，也始终得不到回应。倍感失落和挫折的她终于尝试出轨，她周转与各色男人之间，尽情享受久违的肉体欢 愉。 然而即便如此，玛丽仍然疯狂爱着那个让她心碎、嫉妒、痴迷的保罗。在不甚成功的床第欢愉之后，玛丽终于怀有身孕，也如愿和保罗走入婚姻的殿堂。只是，似乎一切并未因此有所改变…
