备注：已完结
类型：韩国电影
主演：Brea Asher Ivaylo Founev Eric Petti
导演：卡里姆·胡桑
语言：英语
年代：未知
简介： 《下意识的残忍》是一个最美丽的电影有时，影迷政治上正确的主流恐怖垃圾不应回应.而这电影的混音和许多漂亮的视觉效果与大量肮脏的内容是极其古怪，邪恶和令人不安的，所以对怪异电影感兴趣的影迷一定不会失望分娩现场特别恶心和难忘.最后部分"右脑/殉难"被看作是信仰的禁忌.令人难以置信的残酷和亵渎的风景对生殖器官和可怕撕咬.耶稣基督抓获三名裸体女性并且要求她们残害他，从他的胸部撕掉血肉，在膝盖上舔伤口和咬他。还有一个耶稣雕像与预测在一个字上。 《下意识的残忍》是一个真正令人难忘的电影，应该被极端的影迷找出来。其实，也可以安全地说，下意识的残忍是一个奇怪的电影!它洞察人的心灵。下意识的残忍包括四个可怕的离奇的极端故事。第一部分，题为'卵巢眼球'而这也只是热身，但它是稍微良好的，因为它让观众了解有哪些期望在未来三个部分。它只是看到了赤身裸体女人奠定了一个开始，而另一名女子虐待她的腹部和拿出人的眼球!下面的故事是最好的那几个，并在"最喜欢的"病态电影主题的乱伦。该部分如下，一个男人谁独自生活与他怀孕的妹妹。他使她怀孕，但他想和她上床，当然他会他的去路。这个故事很突出，因为单调，真实的叙事，以及结束-这并不不能提供的冲击。这部分是采取行动实施残忍，暗合了电影的亮点下意识的残忍。当然，下两节不如第二的一个。唯一途径，以便从那里下跌，但导演卡里姆侯赛因仍然能在有东西出来之前，让影片结束。他没有做出正确的选择，但是，作为第三个部分是最弱的一个部分，只是看到有很多人发生性关系的理由。这部分的重点是宗教，当然不是任何人的价值!导演卡里姆侯赛因已经取得的东西在这里-因为虽然这四个收集'极端'的故事并没有走到一起作为一个完整的整体，但电影使人感觉有品味，因为它的拍摄采用了这样一个雄辩和眼睛的捕捉方式。导演似乎在模仿超现实主义的导演路易斯布纽尔，尽管涉及了强奸和乱伦。 《下意识的残忍》并不是运用简单的情节或时间表述，相反，它一系列的宗教反寓是探索电影(实验电影)的愿景。这种视觉效果的电影经常涉及的禁忌主题，和许多电影一样被认为是令观众不安的。随着电影的进展，观众遇到此类主题例如手淫，月经，和吃人，并经常描绘各种体液等等的，往往很难以接受。侯赛因的作品，对于现代的电影是一个难忘的视觉和声音的经历，挑战流行的理想的电影。该片分类在2000年电影|2000年恐怖电影|加拿大电影|独立电影|前卫与实验电影的维基百科里
备注：已完结
类型：韩国电影
主演：Barbara Anne Constable Christopher
语言：印尼语
年代：未知
简介： MeettheQueenoftheSouthSeas.Asexuallyvoraciousgoddess,sheluresyoungmentohercastleand,iftheyfailtosatisfyherdemands,killsthemfasterthanyoucansay'vaginadentata',leavingherhandmaidenstodis oseofthecastratedremains… OnenighttheQueenmeetshermatch.Her ria icsuitorsnatchesthesnakethatisthesourceofher owerfrombetweenherthighs–causingittotransformintoakrisfasterthanyoucansay'blatantsymbolism'–anddemandsthatshesubmittobehiswifeascustoma arentlydictates.TheQueen,however,refuses,swearsrevengeontheman'sancestorsand lungesintotheseatocommunewithevil… Fastforward100orsoyearsandweareintroducedtoTanya(KristiannaLoken,erBarbaraAnneConstable),anforeignanthro ologystudentresearchingthelegendoftheSouthSeasQueenforherthesis.Shechartersaboat,goesdivingandinex licablywindsu s readeagledonagiant-sizebedintheQueen'sundersealairtothenbe enetratedbythemagicsnake- hallus. Afewdayslater–theboathavingbeenlostatseainasudden,inex licablestorm–thenow-reincarnatedQueen/TanyarisesfromtheseaA hrodite-like(thoughthat'ssurelyanethnocentricdescri tion;whynotA hroditerosefromtheseaNyaiLoroKidul-likeafterallhethensaysinaboutofself-criticism)anddis osesofacou leofdrunks,therebyequi ingherselfwithtightleathersandsomefirearmswithaseeminglyendlesssu lyofammunition… Fromhereonit's rettymucharehashofTheTerminatorastheSeaQueengoesafterErica,asingerwhoisthedescendantofhersuitor.PolicemanMax(Christo herJ.Hart)andhisbuddiesrescueEricafromadiscomassacre–cuethe"Comewithmeifyouwanttolive"line–andtakehertothestationfor rotection.NaturallyLadyTerminatorarrivesandshootsthe laceu ,butEricaandhernewloveinterestmanagetoesca e.A rotractedseriesofchases,shootoutsandex losionsensueuntil,finally,Maxandco.faceoffagainstthenow-ZombielikeLadyTerminator,com letewitheyesshotinglaserbeams… IsLadyTerminatoragoodfilm?Doyoureallyneedmetosayno?.Onelaughsatthefilmratherthanwithit,whetheritbethefashionsandhairstyles–snowwashedjeansandmulletsanyone?–thero eyeffects;theoverlyintrusiveanddecidedlycheesysynthscore;shoehorninginofTerminator-ismsaswhentheotherwiseall-butindestructibleQueenremovesandthenreinsertsadamagedeye;or–firstamongequals–theoftenludicrous ost-syncheddialogue: Max:Wehavethreeverydeadbodieshere… Otherco #1:Veryinteresting.Itsayshereallthreeoftheseguysdiedwiththeircocksbittenoff.Couldbeasmallanimal. Otherco #2:There ortsaysaneel.Aneelondryland?I'veheardoftheultimateblowjobbut,uh,thisistoomuch Max:Obviouslydonebythesame erson.Butwhy?What'shisorhermotive? Otherco #1:Howcanahumanbeingdothis? Otherco #2:Well,veryeasily.Firstyoutaketheir antsoff… (Notethatthisscenewas recededbyotherwise ointlessdialogueabouteatinghotdogs–saynomore…) ThusLadyTerminatorisanenjoyablefilm,inthat"sobadit'sgood"waythatalmosttranscendsrationalanalysis.Itisalsoevident,however,thatthefilm-makersbelievedinwhattheyweredoingand,withoutcondescencion,soughttodothebesttheycould,injectingenergyandstyleintothe roceedingsand uttingtheirmoneyonthescreen.Plus,it'salsoworthrememberinghowTheTerminatordoesn'texactlyalwaysshineinthemake-u andFXde artmentseither,aswiththewayAhnuld'sheadgetsbroaderratherthannarrowerasthefilm rogressesandhisinnerroboticsareex osed,orthat ainfullyobviousmatte aintingofthecomingdesertstormattheend. Itisalsoaninterestingfilm.ThefusionoftraditionalIndonesianmythandwesternscience-fictionmayneverquitecomeoff,butthecollisionofculturesandideasatleast rovides lentyoffoodforthought,withwhatisrelativelychasematerialbycom arisionwithwesterntrashcinemastandards–onethinksofLinaRomay'snotdissimilarfemmecatastricesinJessFranco'sFemaleVam ireandDorianaGreyortheoutright ornoofTheS erimator–butwhichwouldseemtohave ushedtheboundariesasfarastheIndonesianauthortieswereconcerned,withthefilmhavinga arentlybeenbannedintheterritoryatone oint. Yetthetem tationisoftentooveranalyse,asifbyofjustification:OnecouldwellimaginesomegrandLegendoftheSevenGoldenVam iresstylethesiswherebytheanthro ologistbecomesemblematicofwesternim erialism, ur ortingtobeinterestedinunderstandingnativeculturebutreallyonlyim osingherexistingdefinitionsu onitasOther,withher ossessiontherebyasomewhatjustifiableindigenousres onsetothishubris.SuchareadingwouldthendoubtlesscontinuewiththefigureofMaxasinstrumentalindefeatingtheSeaQueeninsavingErikaassym tomaticofa aradoxicalcounter osingstatementtotheeffectthatIndonesianscannotdowithouttheirwesternallies–anddoubtlessthewholethingwouldthenbereadasacodedcritiqueand/orendorsementoftheSuhartoregime,de endingonthes in. Themore rosaictruth,however,issurelythatthe resenceofthewesternerswasfirstandforemostameansofenhancingLadyTerminator'soffice otentialontheex ortmarket–atestamenttoculturalim erialismitself,tobesure,buthardlyonethatrequiresintellectualgymnastics. Andthis,ultimately,ishowandwhyLadyTerminatorworks:It'safilmwhosegoalisto leaseitsdiverseaudiencesandintowhichanythingandeverythingthatmightaccom lishthisaimhasbeenthrown,regardlessofhowwellthoseingredients(andtheirres ectiveaudiences)reallygotogether. Thankfully,thecocktailtastesgood–albeitinabadtasteway–andhasthedesiredstu efyingeffect… htt ://www.kinocite.co.uk/17/1728. h
备注：已完结
类型：韩国电影
主演：勒思里·波薇 Kent Hall Jack Wright 凯·帕克 S
语言：英语
年代：未知
简介： 与《美丽小蜜桃》齐名之情色经典，4K修复全球限量1500套一经推出即刻断货，现已炒至200美元天价，改编自科幻惊悚片《钻石宫》，性治疗游乐中心内见证大胆性幻想奇观 X爱世界是一个豪华的度假胜地，标榜为顶尖终极之旅，在这里旅游的人，试图解决他们的X爱问题酒店的客人慢慢意识到自己的X压抑和X恐惧，需机器与人为的帮助导演安东尼斯皮内利的相机，设置描绘对一个科幻情境为背 景，有不安全感，但能令人难以忘怀的画面其中一个70年代末的世界上X别显示， 最大的功能是S情的深思熟虑的分析，穿插惊人，有抽象的引发X欲视觉效果。它采用了全明星阵容，包括安妮特避风港，莱斯利博维，凯派克，约翰莱斯利，乔伊Silvera，并与好莱坞高水平的生产值，SEX世界仍然是最显著之一，发人深醒有史以来出品的剧情片。错综合征提出这一流派的经典作品，从原来的35mm相机的负面新近恢复了4K成效，片内有才华显赫的明星作采访大胆演出
备注：已完结
类型：韩国电影
主演：Darby Lloyd Rains Levi Richards 玛丽·
导演：拉德利·梅茨格
语言：英语
年代：未知
简介： Backin1969,theeditorialstaffofNewsdaymagazinewasamazedanda alledthatwriterslikeHaroldRobbinsandJacquelineSusanndominatedthebestsellerlistswiththeirtrashytell-all"romansàclef",sotheydecidedtodothemonebetterwitheachre ortercontributingacha terofescalatingoutrageousnesstowhatwastobecome"NakedCametheStranger",asagabothsaucyandsoa yattributedtofictitious"Penelo eAshe".Ironically,itoutsoldmanyofthecom etitorsitsoughttosendu ,salesfiguresbarelyinfluencedevenoncethehoaxwasex osed. Almostimmediately,rumorsofa ossiblemovieada tationbegantocirculatebutevenattheheightof"PornoChic"itremainedmostunlikelythatitwouldeventuallywindu asthesecondhardcore rojectforres ectederoticauteurRadleyMetzgera/k/a"HenryParis"followinghiswell-receivedthoughunflinchinglyex licitTHEPRIVATEAFTERNOONSOFPAMELAMANN.Perha swithaneyetowardsmainstreamacce tanceofafilmformhehadlargelyembracedbecauseitwaswhatthedomesticadultmoviemarket laceatleastdemanded,anillusionalltoocruellyex osedassuchoncethegenreshiftedtowardshomevideoameredecadelater,Metzgertoneddownthelevelofgra hicdetailonthisoccasion.Ascom ensation,helavishedmoretimeandattentiononthecentralcharacterizationsofradiotalkshowhostsWilliamandGillian("Billy&am ;Gilly")Blake,sortofa'70sNickandNoraCharleswhoses arklingre arteeconsiderablyenlivenstheirextra-maritaleroticencounters. Aswithallofhisfullcolor enetrationfilms,Metzgerwrotethescreen layunderhisusual"JakeBarnes" orn enname,trulyoutdoinghimselfwitha lethoraofgenuinelywittyonelinersthatechotheso histicatedbrillianceofanErnstLubitschorBillyWildercomedyclassicofwhichthisisascloseana roximationastheadultgenrecouldeverho etoachieve.Thankfulforano ortunitytoshowoffmorethantheir hysical rowess,DarbyLloydRainsandLeviRichardsrisetotheoccasionbeautifully.Alreadysomethingofanindustryveteranby1975,Rainswasoneofthefinestearlyadultactressesandhasneverbeenbetter.HermimedshockwhenshecatchesherhusbandstickingittohissecretaryPhyllis(adelightfullydizzyMaryStuart)onadailybasis,whichnaturallyevolvesintoarousalandastaircasesolobothsexyandextremelyfunny,isabsolutely riceless. TheirNewYorkmorningshowasmashhit,BillyandGillya earthe erfectcou letoallwhoknowthem.Onceshelearnsofherhusband'sfrequentinfidelitywithhis"LoveBunny"(atermofendearmentwhich rovidesthemoviewithoneofitsbestrunninggags),Gilliandecidesthatwhat'sgoodforthegandermightalsobenefitthegooseandembarksonasexuals reewithintheircircleofjetsetfriendsandcasualacquaintances.Tiedtogetherbyamaskedballwhereallcharactersmingle,thesevariouse isodesof lannedseductionsu lythemoviewithmostofits,albeitfewerthantheindustrynorm,accom lishedsexscenes.ParticularlymemorableisRains'orallyservicingofAlanMarlow(thevilewomanizerwhowastoforcedtoreturntoearthPostMortemASRainsinRobertaFindlay'sANGELNUMBER9!)asharriedinvestmentbankerMarvinGoodmanforwhomtimeequalsmoneyonadoubledeckerbusactuallywhizzingthroughthestreetsoftheBigA le!U er-crustbosombuddyTaylor(well- layedbyGeraldGrant,whojuggledlegitstageworkwithexcursionsintobisexualerotica,includingMetzger'sSCOREandJerryDouglas'BOTHWAYS,thereby resumablyscratchinga ersonalitch) rovidesGillianwithashouldertocryonwhenshedecidesenough'senoughandbrieflyfleesherhomestead.Inarefinedsilentmovies oof,hewines,dinesandromancesheringloriousblackandwhitewithsillyinter-titlesattem tingto utaso histicateds inonGilly'sbluntcome-on(readherli s!),switchingbacktocolorbythetimetheyreachthebedroomstage. Savingthebestforlast,Gillianmovesinonherhusband'sobjectofaffection,circlingaroundthefecklessPhyllisasshedancesaloneinanem tyswimming ool,anotherarrestingimageinafilmfairlyrifewiththem.TheirslowSa hicex loration rovidesthesexualshowsto erandleavestheyounggirlho elesslyinlovewithhererstwhile aramour'sbetrothed.Convenientlyquittingthesceneratherthanremainingthecou le'sdirtylittlesecretevenwhileswitchingcam s,PhyllisleavesBillyandGillytokissandmakeu .NowI'mnotsurehowu frontMetzgerwasabouthiscareerchangefromsuchloftyerotice icsasTHELICKERISHQUARTETto,well,basicallydocumentingthedirtyforrealatthisstagebuthecertainlythrewinacuteinsidejokewhenhissimulatedCAMILLE2000isseen layingonthecou le'sbedroomTVsetandBillybemoanshowthey'reshowingthis"trash"rathertheGarboversion! Productionreflectsthe erfectionismMetzgerhasshownthroughouthisdistinguishedcareerwithmainstream-worthycameraworkbythere ortedly seudonymous"RobertRochester",whoadultactressGloriaLeonardinsistsisactuallyanOscar-winningdocumentaryfilmmaker.RitaDavis,aminorstarletalsoinShaunCostello'sLOVEBUSandCarterStevens'HOTOVEN,a earsasDarby'ssocialiteacquaintancedressedasaharemgirlduringthemaskedballsequence,goingdownonbewhiskeredwaiterJohnBuco,C.J.Laing'sco loverfromCostello'sindelibleWATERPOWER.ThelateMarcStevensbrieflya earsashimselfinanon-sexca acityandthealwaysenthusiasticHelenMadigan laysthe ornstarguestontheradioshow. Ona racticalnote,thismoviehasbeenreleasedonregionODVDbyVCA,missingasubstantialamountofmostlynon-sexualfootage.Far referableistheItalianregion2discfromSchendene,asLASTRANIERANUDA,unfortunatelysaddledwithirremovablesubtitles,withsoftbutwatchableimagequality,atleastsourcedfromacom lete rintsu liedbythedirector.
